I dedicated all the time I had to it. The 10 hour workout was just what I put in the magazine at the time, but for me it was every waking moment.
Steve VaiRead
If you want to play something that you hear, you need to listen with your mind's eye. You've heard of the mind's eye, right? Your mind has an ear too. It's a kind of listening, but it's not using your ears to listen. It's listening with your inner ear, and that's what you want to translate onto the guitar.
Interpretation
To create music, you must listen and visualize mentally, not just physically.
Steve Vai emphasizes the importance of mental visualization and internal listening in the process of playing music. He suggests that true musicianship requires an ability to hear and interpret music within one's mind and spirit, allowing for a more authentic expression on instruments like the guitar.
In practice
In a music workshop, to inspire creativity, quote Steve Vai to encourage students to listen deeply.
I dedicated all the time I had to it. The 10 hour workout was just what I put in the magazine at the time, but for me it was every waking moment.
I think every artist subconsciously wants to evolve themselves. Sometimes they get stuck in ruts because of pop culture, peer pressure, stuff like that. But what excites me most is exploring my own musical insights and expanding upon them.
The tone is in your fingers, not in your amp or effects.
I could never overstate the importance of a musician's need to develop his or her ear. Actually, I believe that developing a good 'inner ear' - the art of being able to decipher musical components solely through listening - is the most important element in becoming a good musician.
If you want to play something that you can't, you need to see and hear yourself doing it in your minds eye. It will start to happen
A good solo is like a book. It will start out in a phrase, it will go on in paragraphs, and then it will have a great ending.
The guitar for me is a translation device. It's not a goal. And in some ways, jazz isn't a destination for me. For me, jazz is a vehicle that takes you to the true destination - a musical one that describes all kinds of stuff about the human condition and the way music works.
I see a young man playing 'Plaisir d'Amour' on guitar. I knew I didn't want to go to college; I was already playing a ukulele, and after I saw that, I was hooked. All I wanted to do was play guitar and sing.
There is something about the melody of 'Thunder Road' that just suggests 'new day.' It suggests morning; it suggests something opening up.
It's warts and all in my songs, and I think that's why people can relate to them.
That's the thing about the blues: It's one thing to hit a note on a guitar. To make it matter is something else altogether.
Radio stations have constructed a narrow door[way], and that's because they don't understand how complex and paradoxical our snap judgments are. It's hard to measure new songs.
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