I'm open to everything. When you start to criticize the times you live in, your time is over.
Karl LagerfeldRead
I believe in sketching because there is something very sensitive in sketching, you know, in sketches that you don't have out of a computer that looks the same like everybody even if, later on, the dresses are OK, but I like to sketch, and I like to see trails made after my sketches that look the same. It is you know, what I like.
Interpretation
Sketching captures unique expressions and sensitivity that technology cannot replicate.
This quote by Karl Lagerfeld emphasizes the intrinsic value of sketching as an art form, highlighting that sketches carry a personal touch and emotional depth that computer-generated images often lack. He expresses a preference for the organic nature of sketches, which tell a story and retain the individuality of the artist's vision, differentiating them from more uniform digital creations.
In practice
In an art class presentation, to inspire students about the importance of traditional techniques.
I'm open to everything. When you start to criticize the times you live in, your time is over.
If I could be reincarnated as a fashion accessory, it would be a shopping bag.
Chic is a kind of mayonnaise, either it tastes, or it doesn't.
Why should I stop working? If I do, I'll die and it'll all be finished. 'm lucky to work in the most perfect of conditions. I can do what I want in all kinds of areas. The expenses are not expenses. I would be stupid to stop that. Work is making a living out of being bored.
Elegance has nothing to do with fashion.
It’s up to you to make everyday as perfect as possible. _x000D_ It’s a question of will and discipline.
The first line is the DNA of the poem; the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.
You don't enter the theater and pay your money to be afraid. You enter the theater and pay your money to have the fears that are already in you when you go into a theater dealt with and put into a narrative.
Art is an experience, not an object.
When anyone seriously pursues an art - painting, poetry, sculpture, composing - over twenty or thirty years, the sustained discipline carries the artist down to the countryside of grief, and that descent, resisted so long proves invigorating. . . . As I've gotten older, I find I am able to be nourished more by sorrow and to distinguish it from depression.
I can work on a verse for a very long time before realising it's not any good and then, and only then, can I discard it.
Cooking is the art of adjustment.
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