Jazz shouldn't have any mandates. Jazz is not supposed to be something that's required to sound like jazz. For me, the word 'jazz' means, 'I dare you.'
Wayne ShorterRead
To me, a song is not finished. To me, there's no such thing as a finished anything. All of Beethoven's nine symphonies, to me, are one. I think of it as having no beginning and no end.
Interpretation
Art is an ongoing process without definitive completion, constantly evolving and interconnected.
Wayne Shorter's quote emphasizes the idea that art, particularly music, is a continuous journey rather than a finite product. He suggests that creations like Beethoven's symphonies are interconnected parts of a larger whole, reflecting the notion that true artistic expression never truly ends but evolves over time.
In practice
In a conversation about the creative process, you could use this quote to illustrate the continuous nature of artistic work.
Jazz shouldn't have any mandates. Jazz is not supposed to be something that's required to sound like jazz. For me, the word 'jazz' means, 'I dare you.'
When they say 'jazz,' I'm thinking of a word called 'the creative process.' It intersects every vein and tributary, avenue, path, that everyone's living. It crosses through there, but it's been contained.
There's a steady forward march of a creative process that some of us stay with and don't give up - that should be an admirable thing - from Louis Armstrong to Charlie Parker to Miles to Ornette and some people who are not even known today - some kids coming up - people who are out to change the world.
The arts can open the door to the imagination, pushing the envelope of how peace can be created. It takes courage to take this kind of risk, and courage is what we all need to create a better world.
I think that music opens portals and doorways into unknown sectors that it takes courage to leap into. I always think that there's a potential that we all have, and we can emerge, rise up to this potential, when necessary. We have to be fearless, courageous, and draw upon wisdom that we think we don't have.
Movies would be like a broad painted canvas... or a mystical process which cannot really be explained, like, 'What is electricity?' Along with the images that go on the screen, there's a corridor of dialogue that can happen through motion pictures, whether you're aware of it or not.
What interests me is the opportunity for all of us to become something different from what we are, by constructing spaces that contribute something to the experience of who we are.
That's what's great about the horror genre is that you're getting a load of people together in the cinema at the same place and the same time, having them all experience extreme fear and come out alive at the end. It's an uplifting experience, and there's a sense of elation.
Weaknesses have a certain function in a poem... some strategy in order to pave the reader's way to the impact of this or that line.
You don't write because you want to say something, you write because you have something to say.
I think of writing as a sculptural medium. You are not building things. You are removing things, chipping away at language to reveal a living form.
Strangely enough, the first character in Fried Green Tomatoes was the cafe, and the town. I think a place can be as much a character in a novel as the people.
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