If you surrender completely to the moments as they pass, you live more richly those moments.
Anne Morrow LindberghRead
It is only framed in space that beauty blooms; only in space are events, and objects and people unique and significant and therefore beautiful.
Interpretation
Beauty is found in the unique context and space of existence.
This quote by Anne Morrow Lindbergh suggests that beauty is not a standalone quality; rather, it flourishes in the specific circumstances and surroundings that define our experiences. It highlights the importance of context in recognizing the uniqueness and significance of people, objects, and events, implying that beauty emerges from the interplay between them and their spatial dimensions.
In practice
In a discussion about art, one might quote this to emphasize the importance of the environment in appreciating a piece.
If you surrender completely to the moments as they pass, you live more richly those moments.
When each partner loves so completely that he has forgotten to ask himself whether or not he is loved in return; when he only knows that he loves and is moving to its music--then, and then only are two people able to dance perfectly in tune to the same rhythm.
It isn't for the moment you are struck that you need courage, but for that long uphill climb back to sanity and faith and security.
Travelers are always discoverers, especially those who travel by air. There are no signposts in the sky to show a man has passed that way before. There are no channels marked. The flier breaks each second into new uncharted seas.
Don't wish me happiness - I don't expect to be happy it's gotten beyond that, somehow. Wish me courage and strength and a sense of humor - I will need them all.
I am most anxious to give my own children enough love and understanding so that they won't grow up with an aching void in them--like you and I and Harold and Martha. That can never be filled, and one goes around all one's life trying, trying to make up for what one didn't get that was one's birthright, asking the wrong people for it.
A street is a story in asphalt - so it's a paradox that the streets are the one place where the movies play fast and loose with continuity, something to which L.A. streets lend themselves as naturally as does the city's psyche.
We talk so abstractly about poetry because all of us are usually bad poets.
In the end, fiction is the craft of telling truth through lies.
The Marquesan girls dance all over; not only do their feet dance, but their arms, hands, fingers, ay, their very eyes seem to dance in their heads.
The first line is the DNA of the poem; the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.
Poetry confronts in the most clear-eyed way just those emotions which consciousness wishes to slide by.
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