Don't take shadows too seriously. Reality is your only safety. Continue to reject illusion.
Wole SoyinkaRead
There is not a special imposition on writers to be activists. All that does is encourage writers to write propaganda. Propaganda can be written by anybody, including dictators.
Interpretation
Writers should not feel pressured to be activists; doing so can dilute their creative expression into mere propaganda.
Wole Soyinka emphasizes that writing should not be limited to activism or political agendas, as this reduces the role of the writer to that of a propagandist. True creativity and literary artistry can arise from various subjects, and forcing a political stance onto writers can result in a loss of genuine expression, reducing valuable literary work to mere political statements.
In practice
In a literary discussion on the role of authors, one might use this quote to highlight the importance of creative freedom.
Don't take shadows too seriously. Reality is your only safety. Continue to reject illusion.
Trading and religion have always been aligned together in the history of the world, and especially on the African continent.
A war, with its attendant human suffering, must, when that evil is unavoidable, be made to fragment more than buildings: It must shatter the foundations of thought and re-create. Only in this way does every individual share in the cataclysm and understand the purpose of sacrifice.
Rwanda, which is one of the younger independent states in Africa, must be regarded as a model of how great human trauma can be transformed to commence true reconstruction of people. Human trauma can lead to stunted growth and mass withdrawal.
I have a kind of magnetic attraction to situations of violence.
Art is solace; art is vision, and when I pick up a literary work, I am a consumer of literature for its own sake.
With vocal and choral music, first and foremost, it's the text. Not only do I need to serve the text, but the text - when I'm doing it right - acts as the perfect 'blueprint', and all the architecture is there. The poet has done the heavy lifting, so my job is to find the soul of the poem and then somehow translate that into music.
Music, I think, is best when it honestly explores personal demons, and it stirs around in the silt of the psyche to find out what's really there.
I write screenplays in the middle of the night.
The important thing in writing is the capacity to astonish. Not shock - shock is a worn-out word - but astonish.
I'm free. I just do what I want, say what I want, say how I feel, and I don't try to hurt nobody. I just try to make sure that I don't compromise my art in any kind of way, and I think people respect that.
There is no civilization that did not begin with art, Whether it was drawing a line in the sand, painting a cave or dancing.
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