The small wisdom is like water in a glass: clear, transparent, pure. The great wisdom is like the water in the sea: dark, mysterious, impenetrable.
Rabindranath TagoreRead
Let the splendor of diamond, pearl and ruby vanish? Only let this one teardrop, this Taj Mahal, glisten spotlessly bright on the cheek of time, forever and ever.
Interpretation
The quote reflects the enduring beauty of art and monuments over material wealth, symbolizing the significance of love and memory.
Rabindranath Tagore's quote emphasizes the lasting impact of profound emotions and art, suggesting that while material possessions may fade, the beauty of heartfelt creations, like the Taj Mahal, remains eternal in the memory of humanity. It highlights the idea that true splendor lies in the love and emotions that these artistic expressions represent.
In practice
In a speech at an art exhibition, one might say, 'As Tagore reminded us, let the splendor of diamond and pearl vanish, for it is the emotion captured in art that truly lasts.'
The small wisdom is like water in a glass: clear, transparent, pure. The great wisdom is like the water in the sea: dark, mysterious, impenetrable.
Music fills the infinite between two souls. This has been muffled by the mist of our daily habits.
True deliverance of man is the deliverance from Avidya i.e. ignorance. It is not in destroying anything that is positive and real, for that cannot be possible, but that which is negative, which obstructs our vision of truth.
The same stream of life that runs through my veins night and day runs through the world and dances in rhythmic measures. It is the same life that shoots in joy through the dust of the earth in numberless blades of grass and breaks into tumultuous waves of leaves and flowers.
If you cry because the sun has gone out of your life, your tears will prevent you from seeing the stars.
To be outspoken is easy when you do not wait to speak the complete truth.
I've always had great respect for Paddington because he is amusingly English and eccentric. He is a great British institution and my generation grew up with the books and then Michael Horden's animations.
Perhaps I abandoned criticism because I am full of contradictions, and when you write an essay, you are not supposed to contradict yourself. But in the theater, by inventing various characters, you can. My characters are contradictory not only in their language but in their behavior as well.
O why do I ever let anyone read what I write! Every time I have to go through a breakfast with a letter of criticism I swear I will write for my own praise or blame in future. It is a misery.
People like to say that my work is about making the invisible visible, but that's a misunderstanding. It's about showing what invisibility looks like.
I always find myself gravitating to the analogy of a maze. Think of film noir and if you picture the story as a maze, you don't want to be hanging above the maze watching the characters make the wrong choices because it's frustrating. You actually want to be in the maze with them, making the turns at their side, that keeps it more exciting...I quite like to be in that maze.
The war is dreadful. It is the business of the artist to follow it home to the heart of the individual fighters - not to talk in armies and nations and numbers - but to track it home.
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