You can't master your future if you're still a slave to your past.
RihannaRead
I find that when I get on stage now, I don't want to perform a lot of my songs because they don't feel like me. So I want to make songs that are timeless.
Interpretation
Rihanna expresses a desire to create music that reflects her true self and stands the test of time.
In this quote, Rihanna reveals her evolving relationship with her art, noting that as she grows, many of her older songs no longer resonate with her identity. This desire for authenticity drives her to create music that is not only meaningful to her but is also timeless, suggesting a yearning for a deeper connection between her artistic expression and her personal growth.
In practice
During a motivational speech on creativity.
You can't master your future if you're still a slave to your past.
I used to feel unsafe right in the moment of an accomplishment - I felt the ground fall from under my feet because this could be the end. And even now, while everyone is celebrating, I'm on to the next thing. I don't want to get lost in this big cushion of success.
When it comes to everybody else's thing and their lane and their timing, I'm never doing anything intentional to, like, come after somebody. That will always be my biggest mistake or anybody's biggest mistake if that's their intention.
Keep your eyes on the finish line and not on the turmoil around you.
People - especially white people - they want me to be a role model just because of the life I lead. The things I say in my songs, they expect it of me.
Once you're back on your feet - if you ever make it back on your feet - that's the ultimate achievement. I remember I was in New York at the Trump Hotel and I woke up and I just knew I was over it. It was a different day. I felt different. I didn't feel lonely. I felt like I wanted to get up and be in the world. That was a great, great feeling.
Middle-earth is our world. I have (of course) placed the action in a purely imaginary (though not wholly impossible) period of antiquity, in which the shape of the continental masses was different.
Films have degenerated to their original operation as carnival amusement - they offer not drama but thrills.
I knew even if I'm a cowboy, I'm going to be involved in jazz in some way.
I should write for the mere yearning and fondness I have for the beautiful, even if my night's labors should be burnt every morning and no eye shine upon them.
My friend George and I were walking on the beach in Norfolk, and there were thousands of [razor-clam] shells. They were so beautiful, I thought I had to do something with them. So, we decided to make [a dress] out of them. . . . The shells had outlived their usefulness on the beach, so we put them to another use on a dress. Then Erin [O’Conner] came out and trashed the dress, so their usefulness was over once again. Kind of like fashion, really.
The desire to create is one of the deepest yearnings of the human soul.
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