We're all made of stories. When they finally put us underground, the stories are what will go on. Not forever, perhaps, but for a time. It's a kind of immortality, I suppose, bounded by limits, it's true, but then so's everything.
Interpretation
Our lives are defined by the stories we create, and though we may not live forever, our stories can continue to resonate.
This quote emphasizes the significance of storytelling in human existence. Charles De Lint suggests that our identities and legacies are built upon the narratives we weave throughout our lives. When we pass away, it is these stories that endure, reflecting our experiences, values, and connections with others. While they may not last indefinitely, the impact of our stories can provide a sense of immortality by keeping our memory alive in the hearts and minds of those we touch.
In practice
In a eulogy to celebrate a person's life, focusing on the stories shared by family and friends.
She knew this music--knew it down to the very core of her being--but she had never heard it before. Unfamiliar, it had still always been there inside her, waiting to be woken. It grew from the core of mystery that gives a secret its special delight, religion its awe. It demanded to be accepted by simple faith, not dissected or questioned, and at the same time, it begged to be doubted and probed.
The thing to remember when you're writing," he said, " is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader. I don't care what literary device you might use, or belief systems you tap into--if you can make a story true for the reader, if you can give them a glimpse into another way of seeing the world, or another way that they can cope with their problems, then that story is a succes.
Our lives are stories, and the stories we have to give to each other are the most important. No one has a story too small and all are of equal stature. We each tell them in different ways, through different mediums—and if we care about each other, we'll take the time to listen.
Like legend and myth, magic fades when it is unused - hence all the old tales of elfin kingdoms moving further and further away from our world, or that magical beings require our faith, our belief in their existence, to survive. That is a lie. All they require is our recognition.
I want to be magic. I want to touch the heart of the world and make it smile. I want to be a friend of elves and live in a tree. Or under a hill. I want to marry a moonbeam and hear the stars sing. I don't want to pretend at magic anymore. I want to be magic.
When one of my characters becomes aware of a magical element, it might be because the world is wider than we assume it to be, but it might also be a reminder to pay attention to what is here already, hidden only because it's been forgotten.
My life is not this steeply sloping hour, in which you see me hurrying. Much stands behind me; I stand before it like a tree; I am only one of my many mouths, and at that, the one that will be still the soonest. I am the rest between two notes, which are somehow always in discord because Death’s note wants to climb over— but in the dark interval, reconciled, they stay there trembling. And the song goes on, beautiful.
Manners is the key thing. Say, for instance, when you're growing up, you're walking down the street, you've got to tell everybody good morning. Everybody. You can't pass one person.
Man is an exception, whatever else he is. If he is not the image of God, then he is a disease of the dust. If it is not true that a divine being fell, then we can only say that one of the animals went entirely off its head.
I have always been an old-line Henry Clay Whig.
Do not struggle. Go with the flow of things, and you will find yourself at one with the mysterious unity of the Universe.
I had four hundred thousand pages of continental philosophy and lit theory in my head. And by God, I was going to use it to prove to him that I was smarter than he was.
Subscribe for the occasional hand-picked quote. No noise.