But let us not forget that cities are like human beings. They are born, they go through childhood and adolescence, they grow old, and eventually they die
Elif SafakRead
For me, writing stories is one way of feeling connected to the universe and God.
Interpretation
Writing stories helps the author feel a deep connection to the universe and spirituality.
In this quote, Elif Safak expresses that for her, the act of writing is not just a creative endeavor but a profound way to engage with the larger cosmos and the divine. It highlights the transformative power of storytelling, suggesting that through the process of writing, one can find a sense of belonging and purpose that transcends the individual experience.
In practice
In a speech about creativity, you might say, 'As Elif Safak said, for me, writing stories is one way of feeling connected to the universe and God.'
But let us not forget that cities are like human beings. They are born, they go through childhood and adolescence, they grow old, and eventually they die
I like to question cultural biases wherever I go, and I question Islamophobia as much as I question anti-western sentiment because I think all extremist ideologies are very similar.
Stories cannot demolish frontiers, but they can punch holes in our mental walls, and through those holes we can get a glimpse of the other and sometimes even like what we see.
What iβm saying is, my friends, one ought to be able to let go. If a path does not please us, instead of insisting on going that specific way, of making our selfishness the guide, we ought to forsake. The books we cannot write, the films we cannot shoot, the projects we cannot develop, the jobs we cannot pursue and the people who no longer love us. Being able to let go, at times, is the most beautiful of all!
I write as if I were drunk. It is a process of intuition rather than placing myself above my story like a puppeteer pulling strings. For me, it's a scary, chaotic process over which I have little control. Words demand other words, characters resist me.
I like to borrow a metaphor from the great poet and mystic Rumi who talks about living like a drawing compass. One leg of the compass is static. It is fixed and rooted in a certain spot. Meanwhile, the other leg draws a huge wide circle around the first one, constantly moving. Just like that, one part of my writing is based in Istanbul. It has strong local roots. Yet at the same time the other part travels the whole wide world, feeling connected to several cities, cultures, and peoples.
Poetry is indispensable - if I only knew what for.
When the weather's rough and it's whiskey in the rain it's best to wrap your savior up in cellophane.
Paris is a place where, for me, just walking down a street that I've never been down before is like going to a movie or something. Just wandering the city is entertainment.
We are living in a world where the individual must learn to command the raw materials of expression. He must not be dependent all the time on the ready-made, the finished product. It's the transferring, the changing of the raw into what is the expression of your own self β the whole joy and satisfaction and frustration of life is built into this.
That's what's great about the horror genre is that you're getting a load of people together in the cinema at the same place and the same time, having them all experience extreme fear and come out alive at the end. It's an uplifting experience, and there's a sense of elation.
Great innovations, powerful interactions and real art are often produced by someone in a state of wonder. Looking around with stars in your eyes and amazement at the tools that are available to you can inspire generosity and creativity and connection
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