I mean, every novel's a historical novel anyway. But calling something a historical novel seems to put mittens on it, right? It puts manners on it. And you don't want your novels to be mannered.
Colum MccannRead
Stories are there to be told, and each story changes with the telling. Time changes them. Logic changes them. Grammar changes them. History changes them. Each story is shifted side-ways by each day that unfolds. Nothing ends. The only thing that matters, as Faulkner once put it, is the human heart in conflict with itself. At the heart of all this is the possibility, or desire, to create a piece of art that talks to the human instinct for recovery and joy.
Interpretation
Stories evolve as they are told, reflecting time, logic, and history, emphasizing the conflict within the human heart.
This quote by Colum McCann highlights the fluid nature of storytelling, where each rendition is influenced by various factors such as time and the teller's perspective. It suggests that at the core of these narratives lies a profound complexity: the human heart grappling with its own conflicts, ultimately desiring to create art that resonates with our instinct for healing and joy.
In practice
In a motivational speech about resilience, this quote can illustrate how our personal stories evolve and contribute to our growth.
I mean, every novel's a historical novel anyway. But calling something a historical novel seems to put mittens on it, right? It puts manners on it. And you don't want your novels to be mannered.
Goodness was more difficult than evil. Evil men knew that more than good men. That's why they became evil. That's why it stuck with them. Evil was for those who could never reach the truth. It was a mask for stupidity and lack of love. Even if people laughed at the notion of goodness, if they found it sentimental, or nostalgic, it didn't matter -- it was none of those things, he said, and it had to be fought for.
She takes another long haul, lets the smoke settle in her lungs-- she has heard somewhere that cigarettes are good for grief. One long drag and you forget how to cry. The body too busy dealing with the poison.
It was a silence that heard itself, awful and beautiful.
It struck me that distant cities are designed precisely so you can know where you came from.
And I suddenly think, as I look across the table at him, that these are the days as they will be. This is the future as we see it. The swerve and the static. The confidence and the doubt.
I do tend to think that I've written a great deal out of my unconscious because half the time I don't know what a given character is going to say next.
Every building must have... its own soul.
Think it a vile habit to alter works of good composers, to omit parts of them, or to insert new-fashioned ornaments. This is the greatest insult you can offer to Art.
I write plays not to make money, but to stop myself from going mad. Because it's my way of making the world rational to me.
The poetic act consists of suddenly seeing that an idea splits up into a number of equal motifs and of grouping them; they rhyme.
Stories of all lengths and depths come from different parts of the cave. For a novel, you must lay in mental, physical and spiritual provision as for a siege or for a time of hectic explosions, while a short story is, or can be, a steady, timed flame like the lighting of a blow lamp on a building site full of dry tinder.
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