Memory is a code to who we are, a collection of not just dates and facts but also of epic emotional struggles, epiphanies, transformations.
David GrannRead
You want the story to be about something, have some deeper meaning, but there is also an emotional, almost instinctual, element, which is, does this story seize some part of you and compel you to get to the bottom of it?
Interpretation
Stories should possess deeper meanings while also evoking strong emotions and instincts in readers.
David Grann's quote emphasizes the dual nature of storytelling, highlighting the necessity for narratives to engage both the intellect and emotions of the audience. A compelling story should not only convey a deeper message or theme but also resonate on an instinctual level, driving the reader's curiosity and desire to delve further into its essence. This interplay between emotional engagement and intellectual exploration is crucial for a story to be memorable and impactful.
In practice
This quote could be used in a writing workshop to inspire budding authors.
Memory is a code to who we are, a collection of not just dates and facts but also of epic emotional struggles, epiphanies, transformations.
In Brazil, the history of the interaction between blancos and indios - whites and Indians - often reads like an extended epitaph. Tribes were wiped out by disease and massacres; languages and songs were obliterated.
There's a tendency when we write history to do it with the power of hindsight and then assume almost god-like knowledge that nobody living through history has.
I think you get into trouble as an author and a journalist when, rather than owning the gaps, you try to elide them.
Heroes have always served as a reflection of their times, a template of who we are and what we want to be.
The Osage have this lovely phrase: 'Travelers in the Mist.' It was the term for part of an Osage clan that would take the lead whenever the tribe was venturing into unfamiliar realms. And, in a way, we are all travelers in the mist. The challenge is that, as writers, we sometimes want to ignore this murkiness, or we want to write around it.
Write. No amount of self-inflicted misery, altered states, black pullovers or being publicly obnoxious will ever add up to your being a writer. Writers write. On you go.
The best thing that ever happened to me is that nothing happened in writing. I ended up working for engineering companies, and that's where I found my material, in the everyday struggle between capitalism and grace. Being broke and tired, you don't come home your best self.
Yesterday I was thinking about the whole idea of genius and creative people, and the notion that if you create some magical art, somehow that exempts you from having to pay attention to the small things.
There was a whole language that I could never make function for myself in relationship to painting, and that was attitudes like tortured, struggle, pain.
To write it, it took three months; to conceive it three minutes; to collect the data in it all my life.
There is this looking at the world as shapes and patterns and colors that have meaning, and you can't deny the superficial because the superficial is what meets the eye.
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