some mornings... I sit at the kitchen table shaking salt into the hairs on my arm, and a feeling shoves up in me: it's finished. Everything went past without me.
Jennifer EganRead
If having a story that's compelling - you want to know what will happen - is traditional, then ultimately I am a traditionalist. That is what readers care about. It's what I care about as a reader. Now if I can have that along with a strong girding of ideas and some kind of exciting technical forays - then that is just the jackpot.
Interpretation
A compelling story combines traditional narrative elements with innovative ideas and techniques.
Jennifer Egan emphasizes the importance of a captivating narrative in literature, suggesting that while readers appreciate traditional storytelling, they also value creative ideas and experimental techniques. She sees the ideal work as one that marries a gripping plot with thought-provoking concepts and inventive methods, creating a richer reading experience.
In practice
In a writing workshop, discussing the balance of traditional and modern elements in storytelling.
some mornings... I sit at the kitchen table shaking salt into the hairs on my arm, and a feeling shoves up in me: it's finished. Everything went past without me.
I think there are ways in which we censor ourselves; that's the most dangerous kind of censorship - that's how hegemony works.
I find myself thinking more about the past as I get older... maybe because there's just more of it to think about. At the same time, I'm less haunted by it than I was as a younger person. I guess that's probably the ideal: to reach a point where you have access to all of your memories, but you don't feel victimized by them.
I think, for one thing, all of us remember those teenage years and those songs that we fell in love with and the music scene that we were part of. So, in a certain way, music cuts through time like almost nothing else. You know, it makes us feel like we're back in an earlier moment.
And Alex understood that Scotty Hausmann did not exist. He was a word casing in human form: a shell whose essence has vanished.
We live in a moment and a culture when reading is really endangered. There's simply no way to write well, though, if you're not reading well.
The main thing is to write for the joy of it. Cultivate a work-lust that imagines its haven like your hands at night dreaming the sun in the sunspot of a breast. You are fasted now, light-headed, dangerous. Take off from here.
I love theatre - it's where I started - and I've directed a play myself. I'm not sure if I want to direct a film, but certainly, as an actress, I'm always thinking, 'Surely this must be my last film.'
No author has created with less emphasis such pathetic characters as Chekhov has.
In my view, the only way to see a film remains the way the filmmaker intended: inside a large movie theater with great sound and pristine picture.
Photography is the easiest thing in the world if one is willing to accept pictures that are flaccid, limp, bland, banal, indiscriminately informative, and pointless. But if one insists in a photograph that is both complex and vigorous it is almost impossible
The need to write comes from the need to make sense of one's life and discover one's usefulness.
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