And enough for me that when my hand touched your shoulder, you leaned on me; and when you felt me slip away, you called my name.
Orson Scott CardRead
The story itself, the true story, is the one that the audience members create in their minds, guided and shaped by my text, but then transformed, elucidated, expanded, edited, and clarified by their own experience, their own desires, their own hopes and fears.
Interpretation
The audience interprets and shapes a story through their personal experiences and emotions.
This quote by Orson Scott Card highlights the interactive relationship between a storyteller and their audience. It emphasizes that while the author provides the framework of a story, it is ultimately the audience's individual experiences, emotions, and aspirations that breathe life into that narrative, making it uniquely theirs. The complexity of storytelling lies not just in the words written, but in the subjective interpretations each listener brings to those words.
In practice
In a creative writing workshop to explain the importance of audience interpretation.
And enough for me that when my hand touched your shoulder, you leaned on me; and when you felt me slip away, you called my name.
The world is always a democracy in times of flux, and the man with the best voice will win.
Never mind that the story had turned out to be lies and foolishness—there was always folks stupid enough to say, Where there's smoke there's fire, when the saying should have been, Where there's scandalous lies there's always malicious believers and spreaders-around, regardless of evidence.
The lives of all people flow through time, and, regardless of how brutal one moment may be, how filled with grief or pain or fear, time flows through all lives equally.
You take a step, then another. That's the journey. But to take a step with your eyes open is not a journey at all, it's a remaking of your own mind.
I've had your tears with mine, and you've had mine with yours. I think that's more intimate even than a kiss.
White, older showrunners told me, 'Why do you want to hire an all-Latinx writers room? Hire who's best for the show - don't get caught up in that.' And I was like, 'No.' For such an intimate show about the details of a culture? You can't fake that. The room needs to reflect the makeup of the show.
I dream that someday the step between my mind and my finger will no longer be needed. And that simply by blinking my eyes, I shall make pictures. Then, I think, I shall really have become a photographer.
I love entertaining people; I strive to make them feel good, and they make me feel wonderful. To explain it simply, I like what I do, and my ambition is to get better as I get older. That's really what I'm all about.
The art, the greatness of the music, the experience of the music is what I'm about. I think most African artists have destroyed their artistry by commercialization, and I don't want to belong to that bag.
I've dressed thousands of actors, actresses and animals, but whenever I am asked which star is my personal favorite, I answer, 'Grace Kelly.' She is a charming lady, a most gifted actress and, to me, a valued friend.
I don't think any movie or any book or any work of art can solve the stalemate in the Middle East today. But it's certainly worth a try.
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