Tell me a story._x000D_ In this century, and moment, of mania,_x000D_ Tell me a story._x000D_ Make it a story of great distances, and starlight._x000D_ The name of the story will be Time,_x000D_ But you must not pronounce its name._x000D_ Tell me a story of deep delight.
Interpretation
Warren emphasizes the importance of storytelling in capturing the essence of time and experience.
This quote by Robert Penn Warren highlights the power of storytelling in a world filled with chaos and distractions. It urges the listener to explore profound narratives that transcend ordinary experiences and convey emotions tied to distance, time, and joy, inviting a deeper reflection on life's complexities without being confined by its definitions.
In practice
During a literary festival, one might use this quote to introduce a discussion on the transformative power of stories.
...the air so still it aches like the place where the tooth was on the morning after you’ve been to the dentist or aches like your heart in the bosom when you stand on the street corner waiting for the light to change and happen to recollect how things once were and how they might have been yet if what happened had not happened.
The poem is a little myth of man's capacity of making life meaningful.
And what we students of history always learn is that the human being is a very complicated contraption and that they are not good or bad but are good and bad and the good comes out of the bad and the bad out of the good, and the devil take the hindmost.
Yet the definition we have made of ourselves is ourselves. To break out of it, we must make a new self. But how can the self make a new self when the selflessness which it is, is the only substance from which the new self can be made?
So little time we live in Time,_x000D_ _x000D_ And we learn all so painfully,_x000D_ _x000D_ That we may spare this hour's term_x000D_ _x000D_ To practice for Eternity.
For what is a poem but a hazardous attempt at self-understanding: it is the deepest part of autobiography.
Art is a refining and evocative translation of the materials of the world.
Everything written is as good as it is dramatic. It need not declare itself in form, but it is drama or nothing.
I have heard it said that a complicated childhood can lead to a life in the arts. I tell you this story of my father and me to let you know I am qualified to be a comedian.
A film that aims low should not be praised for hitting that target.
I find that the only way to make my characters really interesting to children is to exaggerate all their good or bad qualities, and so if a person is nasty or bad or cruel, you make them very nasty, very bad, very cruel. If they are ugly, you make them extremely ugly. That, I think, is fun and makes an impact.
If I read a book and it makes my whole body so cold no fire can warm me, I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only ways I know it. Is there any other way?
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