A mime is a terrible thing to waste.
Marcel MarceauRead
I have designed my style pantomimes as white ink drawings on black backgrounds, so that man's destiny appears as a thread lost in an endless labyrinth. I have tried to shed some gleams of light on the shadow of man startled by his anguish.
Interpretation
Marcel Marceau's quote emphasizes the complexity of human existence and the search for meaning amidst struggle.
In this quote, Marcel Marceau reflects on the intricacies of life, likening it to a labyrinth where individuals often feel lost. His use of imagery—white drawings on black backgrounds—symbolizes the contrast between light and darkness in human experience, suggesting that while there is anguish, there is also a possibility of hope and clarity amidst confusion.
In practice
An art exhibition could feature this quote to enhance the theme of the complexity of life.
A mime is a terrible thing to waste.
In a clown, we see what we do that makes us laugh and cry. I kept the white face, the tradition of the Pierrot. My clown became a romantic and stylized figure. I wanted to be an abstract and concrete figure, a symbol of humanity.
Mime makes the invisible, visible and the visible, invisible.
I am a company in myself. My repertoire has become a bible for all mimes in the world.
When you're in a play, 50 percent is the genius of the actor, 50 percent is the genius of the author. When a mime is not perfect, you see nothing.
Music and silence combine strongly because music is done with silence, and silence is full of music.
I do a lot of curiosity buying; I buy it if I like the album cover, I buy it if I like the name of the band, anything that sparks my imagination.
This is Art holding a Mirror up to Life. That’s why everything is exactly the wrong way around.
Music, when combined with a pleasurable idea, is poetry; music, without the idea, is simply music; the idea, without the music, is prose, from its very definitiveness.
Of all my films, people wrote to me most about this one... ...I had wanted to make The Idiot long before Rashomon. Since I was little I've liked Russian literature, but I find that I like Dostoevsky the best and had long thought that this book would make a wonderful film. He is still my favourite author, and he is the one - I still think - who writes most honestly about human existence.
I feel like everything you learn as an actor growing up is wrong. You're supposed to hit your mark, find your light and know your lines. Those are all things that just make things wooden, dull and boring.
If I've done my work well, I vanish completely from the scene. I believe it is invasive of the work when you know too much about the writer.
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