There's no particular class of photograph that I think is any better than any other class. I'm always and forever looking for the image that has spirit! I don't give a damn how it got made.
Minor WhiteRead
Let the subject generate its own photographs. Become a camera.
Interpretation
The quote emphasizes the importance of allowing the subject to dictate how it is captured rather than imposing one's own vision.
Minor White's quote, 'Let the subject generate its own photographs. Become a camera,' suggests that a true artist should strive to capture the essence of a subject through an unbiased lens. Instead of forcing personal interpretations onto the subject, the artist should remain open and receptive, allowing the subject to express itself naturally in the photograph, much like a camera captures reality without judgment.
In practice
This quote can be used in an art class to inspire students to approach their subjects with openness.
There's no particular class of photograph that I think is any better than any other class. I'm always and forever looking for the image that has spirit! I don't give a damn how it got made.
While we cannot describe its appearance (the equivalent), we can define its function. When a photograph functions as an Equivalent we can say that at that moment, and for that person the photograph acts as a symbol or plays the role of a metaphor for something that is beyond the subject photographed.
The reason why we want to remember an image varies: because we simply 'love it,' or dislike it so intensely that it becomes compulsive, or because it has made us realize something about ourselves, or has brought about some slight change in us. Perhaps the reader can recall some image, after the seeing of which he has never been quite the same.
Some of the young photographers today enter photography where I leave off. My "grandchildren" astound me. What I worked for they seem to be born with. So I wonder where Their affirmations of Spirit will lead. My wish for them is that their unfolding proceeds to fullness of Spirit, however astonishing or anguished their lives.
One does not photograph something simply for 'what it is', but 'for what else it is.
One should not only photograph things for what they are but for what else they are.
But the only rhyme he could summon for 'out' was 'sauerkraut,' which lacked poetic glory. He let it go. The right line would come in time. That was the thing about poetry. It crept up through the draws and coulees of the brain.
If after I read a poem the world looks like that poem for 24 hours or so I'm sure it's a good oneβand the same goes for paintings.
I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion.
I am never going to write for the sake of writing.
When Basquiat was hanging out with Madonna and Fab Five Freddy, and all those worlds were colliding, people have to realize hip-hop and the arts were like this 'cause we both were outcasts: we wasn't allowed inside the galleries or inside Yankee Stadium. We were writing in the street and making music.
I have a complex feeling about genre. I love it, but I hate it at the same time. I have the urge to make audiences thrill with the excitement of a genre, but I also try to betray and destroy the expectations placed on that genre.
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