I sometimes have a horrible fear of turning up a canvas of mine. I'm always afraid of finding a monster in place of the precious jewels I thought I had put there!
Camille PissarroRead
The subject should be observed more for shape and color than for drawing... precise drawing is dry and hampers the impression of the whole, it destroys all sensations.
Interpretation
This quote emphasizes the importance of perception over strict representation in artistic observation.
Camille Pissarro suggests that when observing subjects, artists should focus on their shapes and colors rather than striving for precise, detailed drawing. He believes that a rigid approach can strip art of its emotional impact and overall impression, thus advocating for a more fluid, sensory engagement with the subjects being depicted.
In practice
During an art class, I shared this quote to encourage students to explore their creativity.
I sometimes have a horrible fear of turning up a canvas of mine. I'm always afraid of finding a monster in place of the precious jewels I thought I had put there!
It is only by drawing often, drawing everything, drawing incessantly, that one fine day you discover to your surprise that you have rendered something in its true character.
Work at the same time on sky, water, branches, ground, keeping everything going on an equal basis... Don't be afraid of putting on colour... Paint generously and unhesitatingly, for it is best not to lose the first impression.
Cover the canvas at the first go, then work at it until you see nothing more to add.
This proves that great lyric poetry can die, be reborn, die again, but will always remain one of the most outstanding creations of the human soul.
I've always written songs the same way. You learn different tricks - you learn craft, you learn structure, all that - as you go.
It is a great difficulty and a great necessity to have to start with the smallest.
My visual landscape as a child was the inside of a lot of these old churches. And the Baroque drama of the things was what I was first engaging with artwise. I'm much more attracted to the aesthetic of religious iconography than the actual religious side. The passion and the blood and the violence and the gaudy side of it I find really fascinating.
You belong to me and all Paris belongs to me and I belong to this notebook and this pencil.
The reviewer always has hold of the wrong horror.
Subscribe for the occasional hand-picked quote. No noise.