Love is the last relay and ultimate outposts of eternity.
Dante Gabriel RossettiRead
Sudden Light I have been here before, But when or how I cannot tell: I know the grass beyond the door, The sweet keen smell, The sighing sound, the light around the shore.
Interpretation
The quote conveys a sense of nostalgia and familiarity with a past experience that can't be clearly recalled.
In 'Sudden Light' by Dante Gabriel Rossetti, the speaker reflects on a profound feeling of having experienced a moment before, evoking a powerful connection to sensory details like the smell of grass and sounds around him. This experience underlines how memories can be felt vividly even if the specifics remain elusive, suggesting that certain emotions and sensations are deeply ingrained in our consciousness.
In practice
This quote can be used in a speech about the power of memories in our lives.
Love is the last relay and ultimate outposts of eternity.
You have been mine before - How long ago I may not know: But just when at that swallow's soar, your neck turned so, Some veil did fall, - I knew it all of yore.
Conception, my boy, fundamental brain work, is what makes all the difference in art.
Deep in the sun-searched growths the dragonfly_x000D_ _x000D_ Hangs like a blue thread loosened from the sky.
Look in my face; my name is Might-have-been; I am also call'd No-more, Too-late, Farewell.
Beauty without the beloved is a like a sword through the heart.
To whom does design address itself: to the greatest number, to the specialist of an enlightened matter, to a privileged social class? Design addresses itself to the need.
I would never want to live anywhere but Baltimore. You can look far and wide, but you'll never discover a stranger city with such extreme style. It's as if every eccentric in the South decided to move north, ran out of gas in Baltimore, and decided to stay.
The main thing that I learned from editing is that most people, when they're making a film, they start too early into the story. They will try to set up the characters, they will try to establish things before the plot actually starts.
Only stilted pedants can conceive the idea that there are absolute norms to tell what is beautiful and what is not. They try to derive from the works of the past a code of rules with which, as they fancy, the writers and artists of the future should comply. But the genius does not cooperate with the pundit.
The sunflower is mine, in a way.
Till now I have never shot a scene without taking account of what stands behind the actors because the relationship between people and their surroundings is of prime importance.
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