Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
Oscar WildeRead
Through our sunless lanes creeps Poverty with her hungry eyes, and Sin with his sodden face follows close behind her. Misery wakes us in the morning and Shame sits with us at night.
Interpretation
What this quote means
The quote reflects the pervasive presence of poverty and sin in our lives, emphasizing the struggles and emotional burdens they bring.
Oscar Wilde's quote paints a vivid picture of the relentless nature of poverty and its companion, sin. He describes how they creep into our lives, highlighting that misery is a constant reminder upon waking, and shame lingers throughout the night. This powerful imagery illustrates the emotional and psychological toll that these societal issues can have on individuals, suggesting a continuous cycle of despair that affects our daily existence.
Themes
PovertySinMiseryShameStruggleLife
In practice
Example use cases
During a speech on social justice, one could emphasize understanding the impact of poverty with quote from Oscar Wilde.
More from Oscar Wilde
All quotes →London is too full of fogs and serious people. Whether the fogs produce the serious people, or whether the serious people produce the fogs, I don't know.
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When one has never heard a man's name in the course of one's life, it speaks volumes for him; he must be quite respectable.
Oscar WildeRead
Men always want to be a woman's first love - women like to be a man's last romance.
Oscar WildeRead
A truth ceases to be true when more than one person believes in it.
Oscar WildeRead
His morality is all sympathy, just what morality should be
Oscar WildeRead
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…. Query: How contrive not to waste one's time? Answer: By being fully aware of it all the while. Ways in which this can be done: By spending one's days on an uneasy chair in a dentist's waiting-room; by remaining on one's balcony all of a Sunday afternoon; by listening to lectures in a language on doesn't know; by traveling by the longest and least-convenient train routes, and of course standing all the way; by lining up at the box-office of theaters and then not buying a seat; and so forth.
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The unrecorded past is none other than our old friend, the tree in the primeval forest which fell without being heard
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