To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters the meaning of the object photographed.
Joan DidionRead
You have to make sure you have the characters you want. That's really the most complicated part.
Interpretation
Selecting the right characters is crucial in storytelling and challenges the creator's skill.
Joan Didion's quote emphasizes the importance of character selection in storytelling, suggesting that the most complicated aspect of writing is not the plot itself, but ensuring that the characters resonate well with the narrative and the intended audience. Strong, well-developed characters drive the story forward and make it compelling, impacting both the writer's vision and the reader's experience.
In practice
This quote could be used in a workshop about creative writing.
To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters the meaning of the object photographed.
The truth is, it's easier for me to write than talk... to express the state I'm in at any time.
Memories are what you no longer want to remember.
It was clear, for example, in 1988 that the political process had already become perilously remote from the electorate it was meant to represent.
I mean maybe I was holding all the aces, but what was the game?
Do not whine... Do not complain. Work harder. Spend more time alone.
Imagination helps the realism of every detail, and only sees the beauties of the work.
I really, really enjoy fitting words together - but I only enjoy it when it's easy, when it sort of rolls along by itself. I never erase anything [and] I hardly ever write anything down... The song will be finished before I write it down... I won't write a song unless it serves me in some way, unless I feel I have to write the song to make myself feel better. If you're not overflowing with something, there's nothing to give.
The Chess pieces are the block alphabet which shapes thoughts; and these thoughts, although making a visual design on the chessboard, express their beauty abstractly, like a poem
Drawing is not the same as form, it is a way of seeing form.
When you begin a picture you often make some pretty discoveries. You must be on guard against these. Destroy the thing, do it over several times. In each destroying of a beautiful discovery, the artist does not really suppress it, but rather condenses it, makes it more substantial. What comes out in the end is the result of discarded finds. Otherwise you become your own connoisseur.
The things we truly love, the things forming the basis and roots of our being, are generally things we never look at. A huge piece of carpeting, empty and naked plains, silent and uninterrupted stretches with nothing to alter the homogeneity of their continuity. I love wide, homogenous worlds, unstaked, unlimited like the sea, like high snows, deserts, and steppes.
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