I'd rather have two good friends, than 500,000 admirers.
E. E. CummingsRead
The symbol of all art is the Prism. The goal is unrealism. The method is destructive. To break up the white light of objective realism, into the secret glories which it contains.
Interpretation
Art seeks to transform reality into something more profound and beautiful through abstraction.
In this quote, E. E. Cummings suggests that art is like a prism that breaks down the ordinary and realistic into a myriad of hidden meanings and expressions, encouraging artists to move beyond mere representation. The process of creating art involves a destruction of the conventional understanding of reality to uncover deeper truths and experiences that transcend everyday perception.
In practice
In a discussion about modern art's significance, one might say, 'As E. E. Cummings stated, the symbol of all art is the Prism, revealing the deeper beauty within our reality.'
I'd rather have two good friends, than 500,000 admirers.
I'd rather learn from one bird how to sing than to teach ten thousand stars how not to dance.
It takes courage to grow up and become who you really are.
When god decided to invent everything he took one reath bigger than a circustent and everything began
The Artist is no other than he who unlearns what he has learned, in order to know himself.
Nobody else can be alive for you; nor can you be alive for anybody else.
When I was 18 and not sure whether I wanted to be an actor, I realised that a playwright has no voice without an actor. That's my reason for acting: to get that character as right as possible for my writer. And I have never changed my philosophy.
You hear about the Duke Ellingtons, the Jimmie Luncefords, and the Fletcher Hendersons, but people sometimes forget that jazz was not only built in the minds of the great ones, but on the backs of the ordinary ones.
I suppose when you do it correctly, a good introduction and a good outro makes the song feel like it's coming out of something and then evolving into something.
When I'm writing a book, you can't think about your audience. You're going to be in big trouble if you think about it. You're got to write from deep inside.
I had the feeling that focusing on objects and telling a story through them would make my protagonists different from those in Western novels - more real, more quintessentially of Istanbul.
The regular division of the plane into congruent figures evoking an association in the observer with a familiar natural object is one of these hobbies or problems...I have embarked on this geometric problem again and again over the years, trying to throw light on different aspects each time. I cannot imagine what my life would be like if this problem had never occurred to me; one might say that I am head over heels in love with it, and I still don't know why.
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