No tribal rite has yet been recorded which attempts to keep winter from descending; on the contrary: the rites all prepare the community to endure, together with the rest of nature, the season of the terrible cold.
Joseph CampbellRead
Their task [creative artists], therefore, is to communicate directly from one inward world to another, in such a way that an actual shock of experience will have been rendered: not a mere statement for the information or persuasion of a brain, but an effective communication across the void of space and time from one center of consciousness to another.
Interpretation
Creative artists should express their inner experiences in a way that truly resonates with others, creating a profound connection.
This quote by Joseph Campbell emphasizes the role of creative artists as communicators who bridge the gap between their own inner experiences and those of their audience. Rather than simply providing information or persuasion, true artistry involves delivering profound experiences that evoke genuine emotional responses, transcending physical boundaries and connecting deeply with the consciousness of others.
In practice
This quote can be used in a speech about the importance of emotional depth in art.
No tribal rite has yet been recorded which attempts to keep winter from descending; on the contrary: the rites all prepare the community to endure, together with the rest of nature, the season of the terrible cold.
Half the people in the world think that the metaphors of their religious traditions, for example, are facts. And the other half contends that they are not facts at all. As a result we have people who consider themselves believers because they accept metaphors as facts, and we have others who classify themselves as atheists because they think religious metaphors are lies.
Christianity isn’t moving people’s lives today. What’s moving people’s lives is the stock market and the baseball scores. What are people excited about? It’s a totally materialistic level that has taken over the world. There isn’t even an ideal that anybody’s fighting for.
Apocalypse does not point to a fiery Armageddon but to the fact that our ignorance and our complacency are coming to an end. The exclusivism of there being only one way in which we can be saved, the idea that there is a single religious group that is in sole possession of the truth—that is the world as we know it that must pass away. What is the kingdom? It lies in our realization of the ubiquity of the divine presence in our neighbors, in our enemies, in all of us.
The demon that you can swallow gives you it’s power, and the greater life’s pain, the greater life’s reply.
And if there was no Fall, what then of the need for Redemption? What god was offended and by whom? Some especially touchy cave bear whose skull had been improperly enshrined?
The arts make vivid the fact that words do not, in their literal form or number, exhaust what we can know. The limits of our language do not define the limits of our cognition.
Neanderthal man listened to stories, if one may judge by the shape of his skull. The primitive audience was an audience of shock-heads, gaping around the camp-fire, fatigued with contending against the mammoth or wooly-rhinoceros, and only kept awake by suspense. What would happen next? The novelist droned on, and as soon as the audience guessed what happened next, they either fell asleep or killed him.
Football is the ballet of the masses.
I was always writing for myself. I wrote what I needed to write and hear - that's what makes it powerful.
I understood that synergistic dance between photographer and object - 'muse,' if you will, 'model,' whatever you call us. It's that silent language of communication, like being psychic with each other.
When I'm writing, I write all day. Other days, I sit around thinking. Or I run around from one meeting to another, out in the world. It varies, and I like that.
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