Aretha with no goals, eternally single & one step soft of heaven/ let it be understood that she owns this melody along with her emotional diplomats & her earth & her musical secrets
Bob DylanRead
That's another way of writing a song, of course. Just talking to somebody that ain't there. That's the best way. That's the truest way. Then it just becomes a question of how heroic your speech is. To me, it's something to strive after.
Interpretation
The quote reflects the process of songwriting as an intimate conversation with an invisible listener, emphasizing creativity and personal expression.
In this quote, Bob Dylan suggests that songwriting can be akin to having a heartfelt dialogue with someone who isn't physically present, highlighting the artistry involved in crafting lyrics. He considers this method of songwriting to be the purest form, as it allows for genuine expression and connection through the heroism of language, ultimately striving for authenticity and emotional resonance in his art.
In practice
Using this quote in a songwriting workshop to inspire participants to connect emotionally with their work.
Aretha with no goals, eternally single & one step soft of heaven/ let it be understood that she owns this melody along with her emotional diplomats & her earth & her musical secrets
If I wasn't Bob Dylan, I'd probably think that Bob Dylan has a lot of answers myself.
Some formulas are too complex and I don't want anything to do with them.
I'm the oldest son of a crazy man, I'm in a cowboy band.
My songs are personal music, they're not communal. I wouldn't want people singing along with me. It would sound funny. I'm not playing campfire meetings. I don't remember anyone singing along with Elvis, Carl Perkins or Little Richard.
I wish that for just one time you could stand inside my shoes. You'd know what a drag it is to see you.
I am, and forever will be, devastated by the gift of Audrey Hepburn before my camera. I cannot lift her to greater heights. She is already there. I can only record. I cannot interpret her. There is no going further than who she is. She has achieved in herself her ultimate portrait.
There is also poetry written to be shouted in a square in front of an enthusiastic crowd. This occurs especially in countries where authoritarian regimes are in power.
I didn't want to write for pay. I wanted to be paid for what I write.
You know, it shouldn't just be about women as heroic figures overcoming things, it just needs to be about women in general getting the opportunity to play a multitude of roles, telling a multitude of stories - just to express human experience from a woman's perspective. I hope, someday, we can get to that point. I'm all about representation.
The drawings don't start with 'a beautiful mark'. It has to be a mark of something out there in the world. It doesn't have to be an accurate drawing, but it has to stand for an observation, not something that is abstract, like an emotion.
The writing life requires courage, patience, persistence, empathy, openness, and the ability to deal with rejection. It requires the willingness to be alone with oneself. To be gentle with oneself. To look at the world without blinders on. To observe and withstand what one sees. To be disciplined, and at the same time, take risks. To be willing to fail - not just once, but again and again, over the course of a lifetime.
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