If I create from the heart, nearly everything works; if from the head, almost nothing.
Marc ChagallRead
I adore the theater and I am a painter. I think the two are made for a marriage of love. I will give all my soul to prove this once more.
Interpretation
Chagall expresses his deep passion for both theater and painting, suggesting they complement each other beautifully.
Marc Chagall highlights the intimate connection he feels between theater and painting, suggesting that both forms of art can coexist and enrich each other. His statement reflects a belief in the transformative power of art, where the emotional and visual expressions found in both disciplines can intertwine to create a deeper experience for both the artist and the audience.
In practice
During a lecture on the relationship between different forms of art.
If I create from the heart, nearly everything works; if from the head, almost nothing.
Art must be an expression of love or it is nothing.
The dignity of the artist lies in his duty of keeping awake the sense of wonder in the world. In this long vigil he often has to vary his methods of stimulation; but in this long vigil he is also himself striving against a continual tendency to sleep.
Color is vibration like music; everything is vibration.
If all life moves inevitably towards its end, then we must, during our own, colour it with our colours of love and hope.
For me a stained glass window is a transparent partition between my heart and the heart of the world.
Writers write these male stereotypes, and it makes it ten times more interesting if a woman says the lines.
No definition of poetry is adequate unless it be poetry itself. The most accurate analysis by the rarest wisdom is yet insufficient, and the poet will instantly prove it false by setting aside its requisitions. It is indeed all that we do not know.
I have learned as much about writing about my people by listening to blues and jazz and spirituals as I have by reading novels.
The photographer's most important and likewise most difficult task is not learning to manage his camera, or to develop, or to print. It is learning to see photographically — that is, learning to see his subject matter in terms of the capacities of his tools and processes, so that he can instantaneously translate the elements and values in a scene before him into the photograph he wants to make.
Words are beautiful but restricted. They're very masculine, with a compact frame. But voice is over the dark, the place where there's nothing to hang on: it comes from a part of yourself that simply knows, expresses itself, and is.
I put it [picture "A still life of a pear" by Edouard Manet] there [on the wall, next to the picture "Jupiter and Thetis" by Jean-Auguste-Dominique Ingres], for a pear like that would overthrow any god.
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