They teach you there's a boundary line to music. But, man, there's no boundary line to art.
I kept thinking there's bound to be something else? I could hear it sometimes, but I couldn't play it.
Interpretation
What this quote means
This quote reflects the pursuit of creativity and the struggle to fully express one's artistic vision.
Charlie Parker's quote speaks to the feelings of yearning and frustration that often accompany the creative process. Despite the inherent talent and inspiration that an artist may possess, there can be an elusive element of their art that feels just out of reach, resulting in a continual quest to discover and manifest something deeper and more profound in their work. This struggle is a critical part of the artistic journey, highlighting both the challenges and the beauty of creative expression.
Themes
In practice
Example use cases
During an art class discussion, I shared this quote to emphasize the ongoing search for artistic inspiration.
More from Charlie Parker
All quotes βIf you come on a band tense, you're going to play tense. If you come a little bit foolish, act just a little bit foolish, and let yourself go, better ideas will come.
Music is your own experience, your own thoughts, your wisdom. If you don't live it, it won't come out of your horn. They teach you there's a boundary line to music. But, man, there's no boundary line to art.
You've got to learn your instrument. Then, you practice, practice, practice. And then, when you finally get up there on the bandstand, forget all that and just wail.
I don't care who likes it or buys it. Because if you use that criterion, Mozart would never have written Don Giovanni, Charlie Parker would have never played anything but swing music.
When I first heard music, I thought it should be very clean, very precise. Something that people could understand, something that was beautiful.
Similar quotes
I started writing as a child. But I didn't think of myself actually writing until I was in college. And I had gone to Africa as a sophomore or something - no, maybe junior - and wrote a book of poems. And that was my beginning. I published that book.
If I go into a studio and find my truth of the moment, there are a number of people in the world who can relate to what I'm saying and are going to buy into what I'm doing. Not because it's the new thing of the moment, but because it's genuine emotion. Its how I feel. This is how I articulate the world.
So while you're imitating Al Capone, I'll be Nina Simone_x000D_ And defecating on your microphone.
Girls, there are poets who learn from you to say, what you, in your aloneness, are; and they learn through you to live distantness, as the evenings through the great stars become accustomed to eternity.
If the culture shifts, if people think differently about women, the art will shift, too. You can't ask art to make social change. It's not what it's for.
Limitations are something that I latch onto - like working in genre, or if you're writing TV, there are act breaks, there's a length of time it's supposed to be. The restrictions of budget and sets can be really useful. When you can have everything, it's very hard to make things feel real and lived in.