My father was a man of love. He always loved me to death. He worked hard in the fields, but my father never hit me. Never. I don't ever remember a really cross, unkind word from my father.
Johnny CashRead
They're powerful, those songs. At times they've been my only way back, the only door out of the dark, bad places the black dog calls home.
Interpretation
Songs can provide comfort and a means of escape during difficult times.
In this quote, Johnny Cash reflects on the profound impact that music has had on his life, particularly in moments of struggle and despair. He personifies the 'black dog' as a metaphor for depression or difficult times, suggesting that music has served as a lifeline that helps him navigate through dark experiences, providing solace and a sense of hope.
In practice
Sharing this quote during a speech about the therapeutic effects of music.
My father was a man of love. He always loved me to death. He worked hard in the fields, but my father never hit me. Never. I don't ever remember a really cross, unkind word from my father.
I start a lot more songs than I finish, because I realize when I get into them, they're no good. I don't throw them away, I just put them away, store them, get them out of sight.
Six foot six he stood on the ground He weighed two hundred and thirty-five pounds But I saw that giant of a man brought down To his knees by love
That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.
There's no way around grief and loss: you can dodge all you want, but sooner or later you just have to go into it, through it, and, hopefully, come out the other side. The world you find there will never be the same as the world you left.
If you aren't gonna say exactly how and what you feel, you might as well not say anything at all.
In World War II, jazz absolutely was the music of freedom, and then in the Cold War, behind the Iron Curtain, same thing. It was all underground, but they needed the food of freedom that jazz offered.
People have been brainwashed into believing that it's got to be down or it wouldn't be blues. But it's not so. It's got to be a fact or it wouldn't be blues.
What really counts isn't whether your instrument is Baroque or modern: it's your mindset.
It pulled me like a magnet, jazz did, because it was a way that I could express myself.
I directed my music to the teen-agers. I was 30 years old when I did 'Maybellene.' My school days had long been over when I did 'School Day,' but I was thinking of them.
A lot of people don't realise I came out of the Smoky Mountains with a load of songs.
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