I like to be buttoned onto tradition. The thing is to improve it, twist it and mold it; to make something new of it; not to deny it. The riches of history can be plucked at any point.
I like the thought that what we are to do on this earth is embellish it for its greater beauty, so that oncoming generations can look back to the shapes we leave here and get the same thrill that I get in looking back at theirs - at the Parthenon, at Chartres Cathedral.
Interpretation
What this quote means
We are here to enhance the world's beauty for future generations to appreciate.
Philip Johnson's quote reflects the idea that our purpose on Earth is to create and improve the beauty around us, leaving behind a legacy that future generations can admire and be inspired by. Just as we gaze in awe at historical works of architecture like the Parthenon and Chartres Cathedral, we too should aim to contribute to the world's artistic and cultural richness, ensuring that our creations evoke similar feelings of wonder for those who come after us.
Themes
In practice
Example use cases
During a speech at the art exhibition, I quoted Philip Johnson to emphasize the importance of creativity in shaping our world.
More from Philip Johnson
All quotes →Concrete you can mold, you can press it into - after all, you haven't any straight lines in your body. Why should we have straight lines in our architecture? You'd be surprised when you go into a room that has no straight line - how marvelous it is that you can feel the walls talking back to you, as it were.
The future of architecture is culture.
Architecture is art, nothing else.
Similar quotes
The journey homewards. Coming home. That's what it's all about. The journey to the coming of the Kingdom. That's probably the chief difference between the Christian and the secular artist--the purpose of the work, be it story or music or painting, is to further the coming of the kingdom, to make us aware of our status as children of God, and to turn our feet toward home.
For American filmmakers, the Oscars is like a mystic thing. For me, it was being in a mirror of my dreams when I was dreaming of Hollywood when I was an adolescent.
We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
If a novelist tells you something she knows or thinks, and you believe her, that is not because either of you think she is God, but because she is doing her work - as a novelist.
I always know when a novel is going to be a Barbara Vine one. In fact I believe that if I weren't to write it as Barbara Vine, I wouldn't be able to write it at all.
For me, it is freedom, freedom from everything: when I write, I'm not a woman. I'm not a Muslim. I'm not a Moroccan. I can reinvent myself, and I can reinvent the world.