Against the background of general freakishness the case of my particular freakishness was lost.
Witold GombrowiczRead
There were three of us; Witkiewicz, Bruno Schulz, and myself--the three muskateers of the Polish avant-garde between the wars. Only Witkiewicz remains to be discovered.
Interpretation
The quote reflects on the camaraderie and legacy of three influential Polish avant-garde figures.
Witold Gombrowicz shares a reflective sentiment on his connection with fellow artists Witkiewicz and Bruno Schulz during a vibrant period of Polish avant-garde art. He conveys a sense of nostalgia for their collaboration and highlights the idea that while two have passed into history, one still holds the potential for rediscovery, emphasizing the everlasting impact of artistic endeavors.
In practice
This quote can be used in a discussion about the importance of artistic collaboration in the avant-garde movement.
Against the background of general freakishness the case of my particular freakishness was lost.
To me, art almost always speaks more forcefully when it appears in an imperfect, accidental, and fragmentary way, somehow just signaling its presence, allowing one to feel it through the ineptitude of the interpretation. I prefer the Chopin that reaches me in the street from an open window to the Chopin served in great style from the concert stage.
It is in the prime of youth that man sinks into empty phrases and grimaces. It's in this smithy that our maturity is forged.
I became bold because I had absolutely nothing to lose: neither honors, nor earnings, nor friends. I had to find myself anew and rely only on myself, because I could rely on no one else. My form is my solitude.
You are ugly when you love her, you are beautiful and fresh, vital and free, modern and poetic when you don't... you are more beautiful as an orphan than as your mother's son.
First of all, to do performance art, you really have to give 100 percent. I only know that I have to give 100 percent and then what happens, happens.
A beautiful dress may look beautiful on a hanger, but that means nothing. It must be seen on the shoulders, with the movement of the arms, the legs, and the waist.
I was just a punk kid, trying to get a sound out of a guitar that I couldn't get off the rack, so I built one myself ... I wanted a Gibson type of sound but with a Strat vibrato .. I went to town painting it and I put three pickups back in, but they don't work - only the rear one works
If you let the plot be determined by what you feel is in the character's mind at that point, it may not turn out to be a very good play, but at least it will be a play where people are behaving in a kind of truthful way.
I like touring extensively because I think the more hours you spend onstage, the more you know who you are onstage.
You know, the way art history is taught, often there's nothing that tells you why the painting is great. The description of a lousy painting and the description of a great painting will very much sound the same.
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