I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.
Virginia WoolfRead
Tom's great yellow bronze mask all draped upon an iron framework. An inhibited, nerve-drawn; dropped face - as if hung on a scaffold of heavy private brooding; and thought.
Interpretation
This quote evokes the complexity of human emotions and the façade we often present to the world.
Virginia Woolf's quote reflects on the contrast between outer appearances and inner realities, suggesting that beneath the surface, individuals may be grappling with profound thoughts and emotions. The imagery of a mask represents the personas we adopt, while the 'iron framework' symbolizes the rigidity of these façades that can trap our true selves, burdened by personal struggles and introspection.
In practice
This quote can be used in a discussion about the themes of identity in art during a presentation.
I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.
Death is woven in with the violets,” said Louis. “Death and again death.”)
He began to search among the infinite series of impressions which time had laid down, leaf upon leaf, fold upon fold softly, incessantly upon his brain; among scents, sounds; voices, harsh, hollow, sweet; and lights passing, and brooms tapping; and the wash and hush of the sea.
I want to think quietly, calmly, spaciously, never to be interrupted, never to have to rise from my chair, to slip easily from one thing to another, without any sense of hostility, or obstacle. I want to sink deeper and deeper, away from the surface, with its hard separate facts.
I do think all good and evil comes from words. I have to tune myself into a good temper with something musical, and I run to a book as a child to its mother.
London perpetually attracts, stimulates, gives me a play and a story and a poem, without any trouble, save that of moving my legs through the streets... To walk alone through London is the greatest rest.
Without foundations, there can be no fashion.
I never approved of talkies. Silent movies were well on their way to developing an entirely new art form. It was not just pantomine, but something wonderfully expressive.
To feel most beautifully alive means to be reading something beautiful.
I've never gotten over what they call stagefright. I go through it every show. I'm pretty concerned, I'm pretty much thinking about the show. I never get completely comfortable with it, and I don't let the people around me get comfortable with it, in that I remind them that it's a new crowd out there, it's a new audience, and they haven't seen us before. So it's got to be like the first time we go on.
You want to be a bit compulsive in your art or craft or whatever you do.
I probably spent the first 20 years of my life wanting to be as American as possible. Through my 20s, and into my 30s, I began to become aware of how so much of my art and architecture has a decidedly Eastern character.
Subscribe for the occasional hand-picked quote. No noise.