There is an increasing awareness of the interrelatedness of things. We are becoming less prone to accept an immediate solution without questioning its larger implications.
Arthur EricksonRead
The tourist transports his own values and demands to his destinations and implants them like an infectious disease, decimating whatever values existed before.
Interpretation
What this quote means
The quote highlights how tourists impose their own values on new places, often negatively affecting local cultures.
Arthur Erickson's quote reflects on the phenomenon of tourism as a cultural exchange that is often one-sided. It suggests that tourists bring their own values and expectations to the destinations they visit, which can overwhelm and undermine the original cultural values, much like a disease can devastate the health of an organism. This commentary invokes a critical perspective on the impact of globalization and the behavior of individuals in new environments, urging a reflection on the responsibility tourists have towards the cultures they encounter.
Themes
TourismValuesCultureImpactGlobalization
In practice
Example use cases
In a discussion about sustainable tourism practices.
More from Arthur Erickson
All quotes βWe are not peddlers of the fashionable. We believe that good design defies fashion, is truly innovative, eminently sensible, yet a source of inspiration to those who have the pleasure of living with it.
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Does an architecture to assuage the spirit have a place in all this? Unfortunately we are no longer the interpreters of our culture's myths but the followers of that dubious client, the developer, who has little patience with the art of architecture, the fine detail and obscure promise, which can upset his financial activity.
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Space has always been the spiritual dimension of architecture. It is not the physical statement of the structure so much as what it contains that moves us.
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Great buildings that move the spirit have always been rare. In every case they are unique, poetic, products of the heart.
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The obsession with performance left no room for the development of the intuitive or spiritual impact of space and form other than the aesthetic of the machine itself.
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