I know from first-hand experience that separating transgender students from their peers can cause many to leave school, hide who they are, or even do the unthinkable.
Nicole MainesRead
I knew that I was trans when I was three years old. Well, I didn't know 'trans' because I didn't know there was a word for it, but I just knew that in my head and my heart that I was supposed to be a girl.
Interpretation
This quote expresses the deep sense of self-awareness and identity from a young age.
Nicole Maines shares her early understanding of gender identity, highlighting a fundamental aspect of one’s true self that can emerge even before having the vocabulary to describe it. This emphasizes the importance of recognizing and respecting individual identities, as well as the journey of self-discovery that many undergo in understanding who they truly are.
In practice
This quote can be used in discussions about gender identity and awareness in educational settings.
I know from first-hand experience that separating transgender students from their peers can cause many to leave school, hide who they are, or even do the unthinkable.
We didn't have anyone to tell us that what was going on with me was alright. There was no information about transgender people when we started our journey, but we managed to make it through because of the tremendous amount of love that our family had.
I think accurately presenting a trans character means not presenting them as perfect - I think there's been a pressure to do this with trans characters. They can have no flaws because they must represent the entire trans community.
When we have a trans woman playing a trans woman, then you see, 'Oh wait, this is what trans really is. This is what it looks like: a person.' That sends a message to trans kids that they are valid in their identities that they are allowed to exist.
It seems only fitting that we have a trans superhero for trans kids to look up to. I wish there was a trans superhero when I was little.
I was a mixed black girl existing in a westernized Hawaiian culture where petite Asian women were the ideal, in a white culture where black women were furthest from the standard of beauty, in an American culture where trans women of color were invisible.
Part of me always felt like the other, the outsider, the observer. My father had two sons with his second wife, who I didn't meet until my late 20s. I was always on the periphery. In Madrid, I was the only Turk in a very international school, so I had to start thinking about identity. All these things affected me.
I've always known exactly who I am. I was a girl trapped in a boy's body.
I don't feel I was 'born American,' but my homeland was denied to me after the end of World War II, and I craved something I could identify with. When I became a student at Harvard in the 1950s, America very quickly filled the vacuum. I felt I was American, but I think it's more revealing of America how quickly others here accepted me.
I live on the margin of just about everything. I'm a marginal person, and I think that is where I've become comfortable. I'm marginally there in my native life. I can do as much as I can, but I'm always German, too, you know, and I'm always a mother. That's my first identity, but I'm always a writer, too.
I think, as a kid, turning on the television and seeing that everyone seemed to be wealthy and white made me feel like an outsider, lesser than. I was not wealthy. I was not white.
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