How wonderful it was to love something without the compromise of language.
Jim HarrisonRead
I think the trouble with artists or chefs who whine about criticism is that if you love the good reviews, you have to at least read the bad ones.
Interpretation
Artists and chefs must be open to both praise and criticism to grow and improve.
Jim Harrison emphasizes that criticism is an integral part of being an artist or a chef. If one enjoys the positive feedback from good reviews, it is essential to also acknowledge and learn from the negative feedback, as both are vital for artistic growth and self-improvement.
In practice
In an art workshop, to encourage students, the instructor might say, 'As Jim Harrison reminds us, we must embrace all feedback on our work.'
How wonderful it was to love something without the compromise of language.
The only advice I can give to aspiring writers is don't do it unless you're willing to give your whole life to it. Red wine and garlic also helps.
We are delightfully trapped by our memories. I can't drink a bottle of Chateauneuf-du-Pape Vieux Telegraphe without revisiting a hotel bistro in Luzerne, Switzerland, where I ate a large bowl of a peppery Basque baby goat stew. A sip and a bite. A bite and sip. Goose bumps come with the divine conjunction of food and wine.
Fiction writers tend to err either making people more than they are or less than they are. I'd rather err on the side of the former.
Some people hear their own inner voices with great clearness. And they live by what they hear. Such people become crazy... or they become legend.
I work every morning, all morning, sometimes in the afternoons. Then sometimes I hunt in the afternoons - quail, doves, grouse up north - but just to stay alive, because writers die from their lifestyle but also from their lack of movement.
When the artist is alive in any person, whatever his kind of work may be, he becomes an inventive, searching, daring, self-expressing creature.
My favorite poets may not be your bread and butter. I have more favorite poems than favorite poets.
Of course I want my films to look really good, but every single element is chosen for a reason. It's telling something in the story.
One of the things that happens in novels it's almost like a continual debate with yourself. That's why you're writing the book. It's why you create characters: so you can argue with yourself.
Remove literary, grammatical and syntactical inhibition.
Poets are excellent students of blizzards and salt and broken statuary, but they are always elsewhere for the test. Any intention in the writing of poetry besides the aim to make a poem, of engaging the materials, SHOULD be disappointed. If the poet does not have the chutzpah to jeopardize habituated assumptions and practices, what will be produced will be sleep without dream, a copy of a copy of a copy.
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