I can't read novels while I'm writing a novel, because somebody's voice creeps in.
T. C. BoyleRead
It's true that none of my characters are admirable. But maybe I'm primarily a satirist, and a satirist needs to hold up what's not admirable.
Interpretation
The quote suggests that a satirist focuses on the flaws of human nature rather than on admirable qualities.
T. C. Boyle expresses the idea that satire serves as a critical tool for reflecting society's shortcomings. In his view, characters that may not possess admirable traits are essential to satirical work, as they are used to reveal deeper truths about human behavior, society, and morality. Satire aims to provoke thought and discussion about what is lacking in humanity, rather than to glorify idealized figures.
In practice
In a lecture on literary techniques, one could use this quote to discuss the role of satire in literature.
I can't read novels while I'm writing a novel, because somebody's voice creeps in.
This is the beauty of fiction. We may not like these characters, but we inhabit them.
I don't care if the audience is 600 Saul Bellows; I'm going to knock them dead with a comedy routine. I'm out there as a missionary for literature because, if people laugh and enjoy themselves, they might actually do something as bizarre as reading the book.
Sometimes if something is entertaining and amusing, people tend to think that it doesn't have the depth of something that's dramatic. I don't think that's true.
I think the way to be a writer is to experience things, certainly, and be open to things, but at some point to become dedicated to the craft of writing and to create a stable environment for that writing to occur in.
I hope to stay light on my feet, to work in many modes, to seek inspiration always, and avoid the fatal. But, as we all know, it is the price of life to burn out, both metaphorically and literally.
In Britten or Berg, there's a tension between the sweet and the sour, between the familiar and the unfamiliar, the tonal and the atonal, the happy and the sad. That, to me, is what all western art is about - that tension. It's why we want to say anything at all.
I give you soul. I give you wisdom and light and music and a bit of laughter. Also, I am the world's greatest horseplayer.
When I decided to write 'The God of Small Things', I had been working in cinema. It was almost a decision to downshift from there. I thought that 300 people would read it. But it created a platform of trust.
The two things you can't fake are good food and good music
I seated ugliness on my knee, and almost immediately grew tired of it.
You belong to me and all Paris belongs to me and I belong to this notebook and this pencil.
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