Oh, let there be nothing on earth but laundry,_x000D_ Nothing but rosy hands in the rising steam_x000D_ And clear dances done in the sight of heaven.
Richard WilburRead
It is true that the poet does not directly address his neighbors; but he does address a great congress of persons who dwell at the back of his mind, a congress of all those who have taught him and whom he has admired; they constitute his ideal audience and his better self.
Interpretation
The poet communicates not just with those around him but with a deeper audience of influences and ideals.
In this quote, Richard Wilbur highlights the idea that a poet's true audience is not merely the physical people around him but rather an internal assembly of inspirations and admired figures that shape his creative expression. This 'congress' represents the ideals and teachings that inform the poet's work, suggesting that art is a conversation with one's own better self and the legacy of those who have influenced us.
In practice
In a discussion on the role of poetry in society during a literature class.
Oh, let there be nothing on earth but laundry,_x000D_ Nothing but rosy hands in the rising steam_x000D_ And clear dances done in the sight of heaven.
I would feel dead if I didn't have the ability periodically to put my world in order with a poem. I think to be inarticulate is a great suffering, and is especially so to anyone who has a certain knack for poetry.
Because, if one is writing novels today, concentrating on the beauty of the prose is right up there with concentrating on your semi-colons, for wasted effort.
The dissolution of the pictorial into sheer texture, into apparently sheer sensation, into an accumulation of repetitions, seems to speak for and answer something profound in contemporary sensibility.
I never intended for the Monster Ball to be a religious experience, it just became one.
In every man there is a hidden child which is called the urge to create and he prefers as play things and serious things not the miniature ships, recreated in the minutest detail, but the walnutshell with a bird feather as mast and sail and a pebble as the captain. He also wants to be able to participate and to co-create in art, rather than being simply an admiring viewer. For this "child in man" is the immortal creator within him.
Some of what I consider my best work, and some of the best films that I've ever worked on, kind of disappear without a trace. There's no accounting for it. Something connects, or something doesn't.
What I've learned over the years is that the craft of songwriting is trying to take the personal and make it universal - or in the case of telling a story, taking the universal and making it personal.
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