Fear your admirers! Learn in time to hear, understand, and love the cruel truth about yourselves!
Constantin StanislavskiRead
A true priest is aware of the presence of the altar during every moment that he is conducting a service. It is exactly the same way that a true artist should react to the stage all the time he is in the theater. An actor who is incapable of this feeling will never be a true artist.
Interpretation
True artists must maintain a constant awareness of their craft and environment.
This quote emphasizes the importance of an artist's connection to their work and surroundings. Just as a priest is deeply aware of the altar during a service, an artist must maintain a similar awareness of the stage and the essence of their performance, suggesting that true artistry comes from a profound engagement with the moment and the space they occupy. Without this intrinsic connection, one cannot truly fulfill the role of an artist.
In practice
In a speech about dedication to one's craft.
Fear your admirers! Learn in time to hear, understand, and love the cruel truth about yourselves!
The main factor in any form of creativeness is the life of a human spirit, that of the actor and his part, their joint feelings and subconscious creation.
The actor must use his imagination to be able to answer all questions (when, where, why, how). Make the make-believer existence more definite.
When an actor is completely absorbed by some profoundly moving objective so that he throws his whole being passionately into its execution, he reaches a state we call inspiration.
Stage charm guarantees in advance an actor's hold on the audience, it helps him to carry over to large numbers of people his creative purposes. It enhances his roles and his art. Yet it is of utmost importance that he use this precious gift with prudence, wisdom, and modesty. It is a great shame when he does not realize this and goes on to exploit, to play on his ability to charm.
The person you are is a thousand times more interesting than the best actor you could ever hope to be.
I am seeking that dance which might be the divine expression of the human spirit through the medium of the body's movement.
The maker of kitsch does not create inferior art, he is not an incompetent or a bungler, he cannot be evaluated by aesthetic standards; rather, he is ethically depraved, a criminal willing radical evil. And since it is radical evil that is manifest here, evil per se, forming the absolute negative pole of every value-system, kitsch will always be evil, not just kitsch in art, but kitsch in every value-system that is not an imitation system.
I like the thought that what we are to do on this earth is embellish it for its greater beauty, so that oncoming generations can look back to the shapes we leave here and get the same thrill that I get in looking back at theirs - at the Parthenon, at Chartres Cathedral.
I thought fashion was just the pretext to do images with lots of freedom and get them published in magazines. You could express your point of view, make statements about women and about what you believe in.
You want the story to be about something, have some deeper meaning, but there is also an emotional, almost instinctual, element, which is, does this story seize some part of you and compel you to get to the bottom of it?
When you're writing a novel, you don't want the reader to come out of it voting yes or no to some question. Life is more complicated than that. Reality simply consists of different points of view.
Subscribe for the occasional hand-picked quote. No noise.