Freedom is neither guaranteed nor automatic; not even in the United States. Left unguarded, it can slip away like a thief in the night.
Joy ReidRead
There is a twinge of abandonment that comes with being a member of the African Diaspora. But 'Black Panther' fearlessly introduces and then complicates this and other deeply held albeit rarely expressed emotions; that indeed is what makes this film so profoundly innovative.
Interpretation
The quote emphasizes the complexities of emotions experienced by the African Diaspora and recognizes the innovative narrative of 'Black Panther' in addressing these feelings.
Joy Reid highlights the emotional challenges faced by members of the African Diaspora, particularly the sense of abandonment. She praises 'Black Panther' for its boldness in presenting and exploring these complex emotions, which contributes to the film's significance and innovation in the cinematic landscape.
In practice
In a discussion about representation in film, I referenced this quote to illustrate how 'Black Panther' challenges traditional narratives.
Freedom is neither guaranteed nor automatic; not even in the United States. Left unguarded, it can slip away like a thief in the night.
To be white in America is to have the confidence to say, without a second thought: this space, this neighborhood, this city, this county, this country is mine.
The work of anti-racism can only take place inside each individual soul, where we all try to grow into better people. There is no national tonic or instant cure.
To be white in America is to assume, with total self-confidence and little afterthought, the personal ownership of public spaces.
For millions of Americans who happen to be black or brown, that core bond of trust with the government that governs closest to you, is too often broken.
None of the films I've done was designed for a mass audience, except for 'Indiana Jones.' Nobody in their right mind thought 'American Graffiti' or 'Star Wars' would work.
A poet’s freedom lies precisely in the impossibility of worldly success. It is the freedom of one who knows he will never be anything but a failure in the world’s estimation, and may do as he pleases. The poet is a man on the sidelines of life, sidelined for life. He belongs to the aristocracy of the outcast, the lowest of the low, below the salt of the earth. A member of the most ancient regime in the world. One that cannot, it seems, be overthrown.
The magic doesn't come from within the director's mind, it comes from within the hearts of the actors.
Most writers - poets in especial - prefer having it understood that they compose by a species of fine frenzy - an ecstatic intuition - and would positively shudder at letting the public take a peep behind the scenes.
Folk melodies are the embodiment of an artistic perfection of the highest order; in fact, they are models of the way in which a musical idea can be expressed with utmost perfection in terms of brevity of form and simplicity of means.
I am interested in a political art, that is to say an art of ambiguity, contradiction, uncompleted gestures and uncertain ending - an art (and a politics) in which optimism is kept in check, and nihilism at bay.
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