Tonight, tonight, won't be just any night. Tonight there will be no morning star.
Stephen SondheimRead
You have two kinds of shows on Broadway - revivals and the same kind of musicals over and over again, all spectacles. You get your tickets for 'The Lion King' a year in advance, and essentially a family comes as if to a picnic, and they pass on to their children the idea that that's what the theater is - a spectacular musical you see once a year, a stage version of a movie. It has nothing to do with theater at all. It has to do with seeing what is familiar. We live in a recycled culture.
Interpretation
The quote critiques modern Broadway for prioritizing familiar spectacles over true theatrical innovation.
Stephen Sondheim is commenting on the state of Broadway shows, suggesting that audiences have become accustomed to repetitive and predictable productions that lack true theatrical depth. He argues that instead of experiencing genuine theater, people settle for recycled content that emphasizes spectacle over creativity, reinforcing a culture that values familiarity over innovation.
In practice
During a lecture on modern theater, one could use this quote to emphasize the need for innovative storytelling.
Tonight, tonight, won't be just any night. Tonight there will be no morning star.
After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.
Musical comedies aren't written, they are rewritten.
Let Pirelli's / Miracle Elixir / Activate your roots, sir... Keep it off your boots, sir- / Eats right through. Yes, get Pirelli's! / Use a bottle of it! / Ladies seem to love it... Flies do, too!
Art, in itself, is an attempt to bring order out of chaos.
Careful the spell you cast, not just on children. Sometimes the spell may last Past what you can see And turn against you... Careful the tale you tell. That is the spell.
Jazz is the type of music that can absorb so many things and still be jazz.
I need to go where people are serious about acting.
What I mean is that none of my talents had a - what's that great word - rubric. A singer, an actor, a dancer - there was nothing I could really say I was. The writing came much later. And, actually, thank God, because if I had said I'm a singer, I would really have just had one thing to do.
Eraserhead is my most spiritual movie. No one understands when I say that, but it is.
Once a song and dance man, always a song and dance man. Those few words tell as much about me professionally as there is to tell.
Those who do not want to imitate anything, produce nothing.
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