I had two major activities as a child. I was trying to put on shows with kids in my street, or I was drawing. Actually, what I'm doing now is exactly what I was doing then. Either I'm drawing, or I'm gathering people for a common project. The only difference is that now they are paying me for that.
Interpretation
The quote reflects the idea that childhood passions can evolve into adult careers.
In this quote, Marjane Satrapi expresses how her childhood activities of creating shows and drawing have seamlessly transitioned into her adult life as an artist and creator. She highlights the continuity of her passions over time, revealing that her current work involves the same creativity and collaboration she engaged in during her childhood, with the added benefit of being compensated for her efforts.
In practice
In a speech about the importance of nurturing creativity in children.
It is dangerous when you start calling people from one part of the world terrorists or fanatic, and you reduce them to some abstract notion. If evil has a geographical place, and if the evil has a name, that is the beginning of fascism. Real life is not this way. You have fanatics and narrow-minded people everywhere.
If it's a good work of adaptation, the book should remain a book and the film should remain a film, and you should not necessarily read the book to see the film. If you do need that, then that means that it's a failure. That is what I think.
I'm not a politician. I don't know how to solve the problems of the world. But as an artist, I have one duty: to ask questions.
I'm not a politician because I'm an artist. Politicians have a very easy answer for a very complicated question. I have a very complicated question for what you consider very easy situations.
For me, drawing is a question of death and life. Every day I draw, I write, I do something.
My mother always told me I had to do 100 times better than a man. I had to work hard at maths, and learn four languages.
I write for the same reason I breathe - because if I didn't, I would die.
The film medium is some sort of magic. I think also it's a magic that every frame comes and stands still for a fraction of a second and then it darkens. A half part of the time when you see a picture you sit in complete darkness. Isn't that fascinating? That is magic.
My message behind this album was finding the beauty in imperfection.
I always thought songs are movies for the ears and films are like songs for the eyes.
Your hands are like dogs, going to the same places they've been. You have to be careful when playing is no longer in the mind but in the fingers, going to happy places. You have to break them of their habits or you don't explore; you only play what is confident and pleasing. I'm learning to break those habits by playing instruments I know absolutely nothing about, like a bassoon or a waterphone.
Out of my entire annual output of songs, perhaps two, or at the most three, came as a result of inspiration. We can never rely on inspiration. When we most want it, it does not come.
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