Blow the candle out, I don't need to see what my thoughts look like.
Emile ZolaRead
There are two men inside the artist, the poet and the craftsman. One is born a poet. One becomes a craftsman.
Interpretation
The quote highlights the dual nature of an artist, combining innate creativity with learned skills.
Emile Zola's quote illustrates the dichotomy within the identity of an artist, emphasizing that while some aspects of artistry come naturally, like poetic inspiration, other facets, such as technical skill and craftsmanship, are developed through practice and dedication. This suggests that being an artist requires both inherent talent and the commitment to hone one's abilities.
In practice
Using this quote in a discussion about the nature of art and talent.
Blow the candle out, I don't need to see what my thoughts look like.
I believe that all is illusion and vanity outside the treasure of truths slowly accumulated, and which will never again be lost. I believe that the sum of these truths, always increasing, will at last confer on man incalculable power and peace, if not happiness. Yes, I believe in the final triumph of life.
A ruined man fell from her hands like a ripe fruit, to lie rotting on the ground.
Oh, the fools, like a lot of good little schoolboys, scared to death of anything they've been taught is wrong!
Did not one spend the first half of one's days in dreams of happiness and the second half in regrets and terrors?
They dared not peer down into their own natures, down into the feverish confusion that filled their minds with a kind of dense, acrid mist.
From the point of view of art, the butcher and the victim are equal as people. You need to see the people.
All writing is in fact cut-ups. A collage of words read heard overheard. What else?
In my opinion, theater shouldn't give advice to citizens.
I do write long, long character notes - family background, history, details of appearance - much more than will ever appear in the novel. I think this is what lifts a book from that early calculated, artificial stage.
For the understanding of a picture a chair is needed. Why a chair? To prevent the legs, as they tire, from interfering with the mind
β"But that's the price we have to pay for stability. You've got to choose between happiness and what people used to call high art. We've sacrificed the high art.
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