The photo is a thing in itself. And that's what still photography is all about.
Garry WinograndRead
I like to think of photographing as a two-way act of respect. Respect for the medium, by letting it do what it does best, describe. And respect for the subject, by describing it as it is. A photograph must be responsible to both.
Interpretation
Photography is a respectful collaboration between the photographer and the subject.
Garry Winogrand emphasizes that photography is not just about taking pictures; it's a mutual act of respect. The photographer respects the medium by allowing it to showcase its strengths in capturing reality, and they also respect the subject by portraying it honestly and authentically. This balanced approach highlights the responsibility that comes with the art of photography, ensuring that both the technique and the subjects are honored in the final image.
In practice
During a photography workshop, I used this quote to inspire participants to think about the ethical aspects of their work.
The photo is a thing in itself. And that's what still photography is all about.
The photograph should be more interesting or more beautiful than what was photographed
Photography is about finding out what can happen in the frame. When you put four edges around some facts, you change those facts.
When I’m photographing I see life.
Photography is not about the thing photographed. It is about how that thing looks photographed.
You have a lifetime to learn technique. But I can teach you what is more important than technique, how to see; learn that and all you have to do afterwards is press the shutter.
The attempt to divide art and politics is a bourgeois which says good poetry, art, cannot be political, but since everything is … political, even an artist or work that claims not to have any politics is making a political statement by that act.
We encourage our people to build their ideas from scratch, and we give them the resources - and, crucially, the candid feedback - that are required to transform the first wisps of a story into a truly compelling film.
Changes in our aesthetic tastes have no value or meaning in and of themselves; what has value and meaning is the idea of change itself. Or, better stated: not change in and of itself, but change as an agent or inspiration of modern creations.
All great art is revolutionary because it touches upon the reality of man and questions the reality of the various transitory forms of human society.
I mean, every novel's a historical novel anyway. But calling something a historical novel seems to put mittens on it, right? It puts manners on it. And you don't want your novels to be mannered.
Like so many other nerdy, disaffected young people of that time, I dreamed of becoming an 'artist', i.e., somebody whose adult job was original and creative instead of tedious and dronelike.
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