My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Pablo PicassoRead
The urge to destroy is also a creative urge.
Interpretation
Destruction can lead to new forms of creativity and expression.
Pablo Picasso's quote highlights the duality of creativity, suggesting that the impulse to destroy can be as powerful as the impulse to create. This reflects the idea that in order to innovate or create something new, one may need to break down the old forms and systems that currently exist, thus viewing destruction not merely as an end, but as a vital part of the creative process.
In practice
In a speech about artistic innovation, one could cite Picasso's quote to emphasize the importance of embracing change.
My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Painting is just another way of keeping a diary.
In drawing, nothing is better than the first attempt.
He can who thinks he can, and he can't who thinks he can't. This is an inexorable, indisputable law.
You have to have an idea of what you are going to do, but it should be a vague idea.
I paint the way someone bites his fingernails; for me, painting is a bad habit because I don't know nor can I do anything else.
You're creating a different world and the actor's job is to be able to convince the audience to enter into that world, whether it be actually something that you recognize from your own life or not.
You don't always have to show art in what's called a white box; you can have a kind of complexity within an exhibit which actually respects the art as well.
What a strange vanity painting is; it attracts admiration by resembling the original, we do not admire.
I often find in the film world, that it's very self-referring. If you talk to someone about films, they talk about them in terms of other films - rather than as something that happened to them in their life. And I'm really keen to get back to film as a reference to real things, not necessarily to other films.
Miller didn't write Death of a Salesman. He released it. It was there inside him, waiting to be turned loose. That's the measure of its merit.
I don't live for the accolades. I'm more so about the music. Making it, and putting it out. Those are the two best feelings.
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