All charming people have something to conceal, usually their total dependence on the appreciation of others.
Cyril ConnollyRead
Those of us who were brought up as Christians and have lost our faith have retained the sense of sin without the saving belief in redemption. This poisons our thought and so paralyses us in action.
Interpretation
Losing faith can leave a void that leads to guilt and inaction.
Cyril Connolly's quote reflects on the struggle of individuals who were raised in the Christian faith but have since lost their belief. Despite this loss, they still carry the burden of guilt and the concept of sin, which can hinder their ability to act freely and positively in life. This creates a paradox where the absence of belief in redemption leads to a paralysis caused by an overwhelming sense of moral failure.
In practice
Sharing this quote during a discussion on faith and personal growth.
All charming people have something to conceal, usually their total dependence on the appreciation of others.
When I contemplate the accumulation of guilt and remorse which, like a garbage-can, I carry through life, and which is fed not only by the lightest action but by the most harmless pleasure, I feel Man to be of all living things the most biologically incompetent and ill-organized. Why has he acquired a seventy years life-span only to poison it incurably by the mere being of himself? Why has he thrown Conscience, like a dead rat, to putrefy in the well?
A lazy person, whatever the talents with which he set out, will have condemned himself to second-hand thoughts and to second-rate friends.
The artist is a member of the leisured classes who cannot pay for his leisure.
We are all serving a life sentence in the dungeon of the self.
Imprisoned in every fat man a thin man is wildly signaling to be let out.
Fourteen-year-old boys are not part of a well-regulated militia. Members of wacky religious cults are not part of a well-regulated militia. Permitting unregulated citizens to have guns is destroying the security of this free state.
On that gray street, with the smell of industrial smokes in the air and the afternoon bleeding away to evening, downtown Derry looked only marginally more charming than a dead hooker in a church pew.
Surrendering to jargon is a sign of journalism's dismal lack of self-confidence in the optimized age of content-management systems.
When we relate to our bodies as having soul, we attend to their beauty, their poetry and their expressiveness. Our very habit of treating the body as a machine, whose muscles are like pulleys and its organs engines, forces its poetry underground, so that we experience the body as an instrument and see its poetics only in illness.
When a grown man reaches forty, we change him for an old one. He has completely disappeared. There's only the most superficial resemblance between the two of them. Nothing is handed on from one to the other.
Everything gives way before the recurring torment and festivity of passion.
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