At Vienna, one of the audience affirmed publicly that my performance was not surprising, for he had distinctly seen, while I was playing my variations, the devil at my elbow, directing my arm and guiding my bow. My resemblance to the devil was a proof of my origin.
Interpretation
Paganini suggests that his extraordinary musical talent might be seen as otherworldly or inspired by dark forces.
In this quote, Niccolo Paganini reflects on the perception of his talent as being so remarkable that it evokes supernatural explanations. The audience member's assertion that the 'devil' guided him highlights the fine line between genius and the uncanny, suggesting that exceptional skill can sometimes lead to unfounded assumptions about its source. Paganini's self-awareness regarding the public's fascination with his talent reveals the pressure and intrigue surrounding artists whose abilities defy conventional understanding.
In practice
In a discussion about the struggles of artists, this quote could be shared to illustrate the misconceptions surrounding extraordinary talent.
When I attained my seventh year, my father, whose ear was unmusical but who was nevertheless passionately fond of music, gave me my elementary lessons on the violin; in a very few months, I was able to play all manner of compositions at sight.
I knew I could only play Cyrano if he were Americanized. I had no intention of writing the script myself. I was afraid of it. You're playing with fire when you tamper with a classic. So I went looking for a writer. But it was such a personal idea, and anyone I would give it to would make it his own. It's hard to ask Neil Simon to write your idea.
Every experience shapes your writing, being stuck in a car on a lonely bridge, or dancing at a prom, being the it girl on the beach, all of those things influence your life, they influence how you write, and the topics you choose to write about.
Through a shared aim, shared needs, shared love of a shared result in theatre, from the creation of space... the coming-together of an endlessly repeated climax of shared performance, again and again, something special can appear.
A musician is a professional, whether he or she is successful or not. The profession itself must be regarded as a stable job.
We hated Bauhaus. It was a bad time in architecture. They just didn’t have any talent. All they had were rules. Even for knives and forks they created rules. Picasso would never have accepted rules. The house is like a machine? No! The mechanical is ugly. The rule is the worst thing. You just want to break it.
I never paint dreams or nightmares. I paint my own reality.
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