One of the great things about books is you can afford to do anything.
George R. R. MartinRead
If you go all the way back, I've always written science-fiction, I've always written fantasy, I've always written horror stories and monster stories, right from the beginning of my career. I've always moved back and forth between the genres. I don't really recognise that there's a significant difference between them in some senses.
Interpretation
The quote emphasizes the interconnectedness of different genres in storytelling.
George R. R. Martin reflects on his diverse writing journey, highlighting how he has blended elements of science fiction, fantasy, and horror throughout his career. He suggests that, to him, these genres are not as distinct as they are often perceived, indicating that storytelling transcends genre boundaries and can draw from multiple influences.
In practice
In a creative writing workshop to inspire students to explore multiple genres.
One of the great things about books is you can afford to do anything.
I hate outlines. I have a broad sense of where the story is going; I know the end, I know the end of the principal characters, and I know the major turning points and events from the books, the climaxes for each book, but I don't necessarily know each twist and turn along the way. That's something I discover in the course of writing and that's what makes writing enjoyable. I think if I outlined comprehensively and stuck to the outline the actual writing would be boring.
There is only one god and his name is Death. And there is only one thing we say to Death: “Not today.
I did not do it. Yet now I wish I had.’ He turned to face the hall, that sea of pale faces. ‘I wish I had enough poison for you all. You make me sorry that I am not the monster you would have me be, yet there it is. I am innocent, but I will get no justice here.
But a voice inside her whispered, There are no heroes, and she remembered what Lord Petyr had said to her, here in this very hall. 'Life is not a song, sweetling,' he'd told her, 'You may learn that one day to your sorrow.' In life, the monsters win, she told herself.
I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
Music is never stationary; successive forms and styles are only like so many resting-places - like tents pitched and taken down again on the road to the Ideal.
That's the clarinet I used to use... but it's just a piece of wood, you know, with holes in it and they put these clumsy keys on it and you're supposed to try to take that and manipulate it with throat muscles and chops... and try to make something happen that never happened before. And when you do, you never forget it. It beats sex, it beats anything.
The singers who are the most honest are the ones who become immortalized.
It was my dad’s idea that music is supposed to be more than simply about entertainment and making a living, but about being of service as an integral part of the consciousness of the world. In honor of him and because it’s right, I use music in that light.
Photography can never grow up if it imitates some other medium. It has to walk alone; it has to be itself.
I think that one's art is a growth inside one. I do not think one can explain growth. It is silent and subtle. One does not keep digging up a plant to see how it grows.
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