To be in a position, at my age, where I am financially independent, I can help develop things, I can promote stuff that I believe in, I can say no a lot and spend time writing - that is a gift.
Elliot PageRead
Producing is a way of finding a great script that nobody's making, and believing in it, and doing what you can to get it made. It lets you work with your friends, people you really love to do something with.
Interpretation
Producing involves discovering unique scripts and collaborating with loved ones to bring them to life.
Elliot Page emphasizes the importance of finding and believing in unique stories that remain untold and taking initiative to see them realized. The process of producing not only fosters creativity but also allows individuals to work closely with friends and those they cherish, making the journey enjoyable and meaningful.
In practice
During a film festival, one might say this quote to inspire aspiring producers in the audience.
To be in a position, at my age, where I am financially independent, I can help develop things, I can promote stuff that I believe in, I can say no a lot and spend time writing - that is a gift.
The thing that I would say you get the most hate about on social media, in my experience, is if you tweet anything about women's rights or feminism. It blows my mind. But it's the thought of not being a feminist that actually blows my mind.
I've always been drawn to stories and telling them; whether it was through being a part of theater when I was a little kid, or film, or with music, there's just been an innate desire to feel that connection.
Conversations create change. It's easy to call someone 'enemy,' but there's more to it, right?
If there is such a thing for Sparks as a mission statement, it's more general in that we want each new album to be musically and lyrically provocative. We want to really go at it as though this might be the first album that anyone will ever hear of Sparks.
In Jazz, improvisation isn't a matter of just making any ol' thing up. Jazz, like any language, has its own grammer and vocabulary. There's no right or wrong, just some choices that are better than others.
You're...writing for other writers to an extent-the dead writers whose work you admire, as well as the living writers you like to read.
By the end, you should be inside your character, actually operating from within somebody else, and knowing him pretty well, as that person knows himself or herself. You're sort of a predator, an invader of people.
My only job is to write in such a way that the reader gets a new handle on humanity.
As a novelist, where do you go to tap into memories, and impressions, and sensations? It's usually, in my experience, your early life, before you started thinking of yourself as a writer, because somehow those experiences are unadulterated.
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