Everybody must be managed. Queens must be managed. Kings must be managed, for men want managing almost as much as women, and that's saying a good deal.
Thomas HardyRead
My weakness has always been to prefer the large intention of an unskilful artist to the trivial intention of an accomplished one: in other words, I am more interested in the high ideas of a feeble executant than in the high execution of a feeble thinker.
Interpretation
This quote expresses a preference for grand ideas over technical skill in art.
Thomas Hardy highlights the value of ambition and intent behind artistic expression, suggesting that the vision and ideas of a less skilled artist can resonate more deeply than the technical proficiency of a more accomplished artist. He seems to advocate for the importance of passion and creativity over refined execution, implying that the essence of art lies in its ideas rather than in its flawless execution.
In practice
An art critique discussing the merits of a newly discovered artist's work.
Everybody must be managed. Queens must be managed. Kings must be managed, for men want managing almost as much as women, and that's saying a good deal.
Because what's the use of learning that I am one of a long row only - finding out that there is set down in some old book somebody just like me, and to know that I shall only act her part; making me sad, that's all. The best is not to remember your nature and your past doings have been just like thousands' and thousands', and that your coming life and doings'll be like thousands' and thousands'.
But nothing is more insidious than the evolution of wishes from mere fancies, and of wants from mere wishes.
I wish I had never been born--there or anywhere else.
Her affection for him was now the breath and life of Tess's being; it enveloped her as a photosphere, irradiated her into forgetfulness of her past sorrows, keeping back the gloomy spectres that would persist in their attempts to touch her—doubt, fear, moodiness, care, shame. She knew that they were waiting like wolves just outside the circumscribing light, but she had long spells of power to keep them in hungry subjection there.
The trees have inquisitive eyes, haven't they? -that is, seem as if they had. And the river says,-'Why do ye trouble me with your looks?' And you seem to see numbers of to-morrows just all in a line, the first of them the biggest and clearest, the others getting smaller and smaller as they stand further away; but they all seem very fierce and cruel and as if they said, 'I'm coming! Beware of me! Beware of me!
Do I watch dancers as people? Yes, absolutely. Do I watch really good dancers for specifically who they are? Absolutely, because how they move best and how they look best is going to be most familiar to them, and not necessarily to me.
I am a creature of my pen. My pen is the best of me.
The cut of a garment speaks of intellect and talent and the color of temperament and heart.
The best way to execute French cooking is to get good and loaded and whack the hell out of a chicken.
Commercial theater, in its agenda to appeal to everybody, is often at the expense of the unique vision of the artist.
First, I try to take everything away that doesn't matter to singing. It sounds simplistic, but it works. There is absolute focus on singing: producing sounds and emotions that I have always enjoyed. This is key.
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