I'm an American, but being a black American, my experience is a particular one, my struggles have been particular.
Bill DukeRead
Well, in the '80s and '70s, with the exception of Sidney Poitier and Brock Peters, maybe Ivan Dixon, if you were as big and black as I am, you were a bad guy. Simple. Because in real life, I scare people.
Interpretation
The quote reflects on the racial stereotypes and challenges faced by Black actors in Hollywood during the 70s and 80s.
Bill Duke's quote highlights the limited roles available for Black actors during the 1970s and 1980s, often relegating them to portrayals of antagonists due to societal fears and prejudices. He emphasizes how the perception of Black men, particularly those who are large and strong, influenced casting decisions and showed the deep-seated issues of racism in the film industry at the time.
In practice
In a speech addressing diversity in Hollywood, one could use this quote to illustrate the historical challenges faced by Black actors.
I'm an American, but being a black American, my experience is a particular one, my struggles have been particular.
By healing the internal issues that we can heal as a people, our children don't have to suffer the same agony and pain that we put each other through.
It really upsets me that the media insists on turning 'Do the Right Thing' or 'Boyz N the Hood' into 'black films.' They are American films. They may open the window on the black experience, but they had things to say to everybody. That's why they were so successful.
My parents never let the color of our skin be an excuse for why we did not succeed.
Dark skin is considered less than light skin in the in the minds of many in our community and in the media.
I think we're about ready for a new feeling to enter music. I think that will come from the Arabic world.
I think of myself in the oral tradition-as a troubadour, a village tale-teller, _x000D_ the man in the shadows of the campfire. That's the way I'd like to be remembered-_x000D_ as a storyteller. A good storyteller.
When Coleridge tried to define beauty, he returned always to one deep thought; beauty, he said, is unity in variety! Science is nothing else than the search to discover unity in the wild variety of nature,-or, more exactly, in the variety of our experience. Poetry, painting, the arts are the same search, in Coleridge's phrase, for unity in variety.
Though people may read more into Ulysses than I ever intended, who is to say that they are wrong: do any of us know what we are creating?Which of us can control our scribblings? They are the script of one's personality like your voice or your walk
The camera need not be a cold mechanical device. Like the pen, it is as good as the man who uses it. It can be the extension of mind and heart.
The score is not a bible, and I am never afraid to dare. The music is behind those dots.
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