We've taken on health care in a big way in our office, ever since nine years ago when I was paralyzed. I was in eight different hospitals, three different rehab centers, and all the rooms were dreadful. As an architect, designer, and patient, I can do something to help.
Interpretation
The quote emphasizes the importance of improving healthcare environments based on personal experiences.
Michael Graves reflects on his transformative experience as a patient in healthcare facilities, highlighting the dismal conditions he encountered. Drawing from his insights as both an architect and designer, he asserts that he has a responsibility to enhance the healthcare environment, showcasing how personal adversity can inspire a commitment to positive change in society.
In practice
During a keynote address about health innovation.
Form must never trump function. Some objects are made to look so smooth, you don't know where to pick them up or how to turn them on. If I'm designing a garlic press or cheese grater, I need my hand to fit comfortably on it. I like to know, instinctively, how to use it.
Good design should be available to everyone - and I do mean everyone. What I spent on the wheelchair I'm in could buy a small Mercedes. It's not only unfair to me; it's unfair to someone who's indigent but has the same needs. My goal is to make all objects affordable.
Instead of using the machine as a metaphor for architecture, as Le Corbusier did, I use the human body. I want the public to know that it's them I'm designing for.
I believe well-designed places and objects can actually improve healing, while poor design can inhibit it.
It is well known that in war, the first casualty is truth - that during any war truth is forsaken for propaganda.
The arc of the moral universe may bend towards justice, but it doesn't bend on its own.
If you haven't met Satan recently, you are probably going his way!
Embrace your grief. For there, your soul will grow.
The Beat Generation, that was a vision that we had, John Clellon Holmes and I, and Allen Ginsberg in an even wilder way, in the late forties, of a generation of crazy, illuminated hipsters suddenly rising and roaming America, serious, bumming and hitchhiking everywhere, ragged, beatific, beautiful in an ugly graceful new way.
In vain do we seek tranquility in the desert; temptations are always with us; our passions, represented by the demons, never let us alone: those monsters created by the heart, those illusions produced by the mind, those vain specters that are our errors and our lies always appear before us to seduce us; they attack us even in our fasting or our mortifications, in other words, in our very strength.
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