Healing for me is being able to sit next to the butcher and say 'Yes, I’m sitting next to the butcher now,' instead of saying 'there is no butcher'.
Tori AmosRead
We all get intimidated by showing ourselves, for whatever reason, we think, If I really show who I am, and someone goes [pfftt] then it's gonna crush me. Well, it's not gonna crush me. It doesn't crush you if somebody does that- somebody will do that. Many times. And once you accept that that's not why you're doing it, you're doing it because that's your form of expression.
Interpretation
Embracing self-expression over fear of judgment empowers us.
This quote by Tori Amos highlights the fear of vulnerability and judgment that many people face when considering expressing their authentic selves. It encourages individuals to recognize that the fear of being rejected or belittled should not deter them from expressing who they truly are, as self-expression is an essential and valuable aspect of life, regardless of how others may respond.
In practice
This quote can inspire individuals during motivational speeches about embracing their true selves.
Healing for me is being able to sit next to the butcher and say 'Yes, I’m sitting next to the butcher now,' instead of saying 'there is no butcher'.
When you stop putting yourself on the line, and you don't touch your own heart, how do you expect to touch other people?
If you can't create physical life, you find a life force. If that's in music, that's in music. I started to find this deep, primitive rhythm, and I started to move to it. And I held hands with sorrow, and I danced with her, and we giggled a bit.
I don't want to sit on the sidelines and not value the gift of being here. Instead of the idea of time ticking away, the grains of sand running out, I try to think of time as giving me another grain of sand, another gift. So time passing is an accumulation, rather than a diminishing.
I don't mind a dirty girl. But what I find tragic is when we, as women, become not the subject of our own story but someone else's object.
For many years, I shut down that place inside myself that needed to rage, cry, ask questions and basically just express herself. I made a conscious choice when I put (the song) 'Me and a Gun' on the record not to stay a victim anymore.
These lights, this brightness, these clusters of human hope, of wild desire—I shall take these lights in my fingers. I shall make them bright, and whether they shine or not, it is in these fingers that they shall succeed or fail.
Work aside, we come to New York for the possibility of interaction and inspiration.
The best ideas I've had in my life are those I saw in my sleep, in the early morning.
I knew from the age of 16 that I wanted to be a writer because I just didn't think I could do anything else. So I read and read and wrote short stories and dreamed of escape.
There are lives to brighten. There are hearts to touch. There are souls to save.
I'm 9, 10, and I'm watching the Apollo astronauts go to the moon. We're sitting on the floor of a school, and they have this... huge TV, and I'm looking at that, and I'm thinking 'Me, I would like to do that.' But it didn't dawn on me then that they were American; I was Canadian. They were men; I was a girl. They were test pilots, military folks.
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