One thing I'm not going to do is chase staying alive. You spend so much time chasing staying alive, you won't live.
Patrick SwayzeRead
What's powerful about a love scene is not seeing the act. It's seeing the passion, the need, the desire, the caring, the fear.
Interpretation
A love scene is defined more by the emotions involved than by the physical act itself.
This quote emphasizes that the true essence of a love scene lies in the underlying emotions such as passion, desire, and fear rather than the physical act of love. It suggests that the deeper connections and feelings between individuals bring depth and meaning to their expressions of love, making them more powerful and impactful.
In practice
In a discussion about romance films, this quote could be used to emphasize the importance of emotional depth over physicality.
One thing I'm not going to do is chase staying alive. You spend so much time chasing staying alive, you won't live.
When those you love die, the best you can do is honor their spirit for as long as you live. You make a commitment that you're going to take whatever lesson that person or animal was trying to teach you, and you make it true in your own life... It's a positive way to keep their spirit alive in the world, by keeping it alive in yourself.
A person who can connect with their partner, another human being who can connect with their soul β it's not just learning steps, it's about expressing something. I've found in dancing all my life that I can release something as a dancer that I can't in any other way.
Her heart - like every heart, if only its fallen sides were cleared away - was an inexhaustible fountain of love: she loved everything she saw.
It hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin.
It means much to have loved, to have been happy, to have laid my hand on the living Garden, even for a day.
A bruise, blue in the muscle, you impinge upon me. As bone hugs the ache home, so I'm vexed to love you, your body the shape of returns, your hair a torso of light, your heat I must have, your opening I'd eat, each moment of that soft-finned fruit, inverted fountain in which I don't see me.
Suddenly the drunken sweetheart appeared out of my door. She drank a cup of ruby wine and sat by my side. Seeing and holding the lockets of her hair My face became all eyes, and my eyes all hands.
Lovers who have nothing to do but love each other are not really to be envied; love and nothing else very soon is nothing else.
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